A Quote by Lena Dunham

I never sort of thought of myself as a comedy writer, by nature. — © Lena Dunham
I never sort of thought of myself as a comedy writer, by nature.
I never thought of myself as either a woman or a man. I thought of myself as a person who was born to a writer, who was doomed to be a writer.
I never thought when I was a kid that I would become an adult. I never thought of myself as having any sort of distant horizon. I have sort of leapt without a master plan.
I think I'm one of those guys who was sort of always in comedy. I thought of myself - and other people seemed to think of me - as funny from a very young age. I was a very young comedy nerd and I even did sketch comedy in high school and college. I wrote and shot sketches on video and acted in them.
I always wanted to write, even before I realized that there was a comedy writers' world, or what that life was like. I never thought of myself, at least as a little kid, in terms of being the onscreen talent. I always thought it'd be so much fun to write sketches and be a writer. Even as little as 6 or 7, that's what my main interest was.
I am comfortable calling myself a writer of suspense, or a writer of thrillers; both terms are sort of interchangeable to me. I think that came from a sense of being at conflict with my true nature throughout my youth, and being afraid of discovery, and feeling as if I didn't belong.
My abject hatred of actors and the acting world. I went to college as an actor, and halfway through, I switched to playwriting and directing. Then I spent a couple years working in publishing, doing some freelance journalism for The Village Voice and Musician magazine. I thought my life was going to be as a writer, but then I realized I missed performing, so I got into comedy. It was a nice combination of things I was sort of good at. I was a pretty good writer and a decent actor, but I didn't really like acting, and I didn't have the discipline to be a writer.
I never thought of myself as a writer.
I think with comedy I get very sort of critical of myself and try and do the best I can and it doesn't come as second nature. I work at those kinds of films. It doesn't mean I can't do them - I've done two now, and I have a great time doing them, but I just find myself a little bit more neurotic.
I had never really thought of myself as a writer; any writing I had done was just to give myself something to draw.
I've never thought of myself as a writer. I still don't, despite all the writing I've done.
I have never really thought of myself as a writer about religion. And I think one of the things that happened to me as a result of all that is that I think it did for some people, many people, obscure the kind of writer that I actually am.
I never thought we'd be put into any sort of historical thing. When we started as a band, it was a day-to-day thing. You sort of played a gig, you got your money and thought, 'OK, where's tomorrow's gig?' You never thought you'd get past a summer.
When I first thought of being a writer I had visions of stacks of books in stores with my name on them, that sort of thing. But I never imagined this would be the reaction.
I never fully got to experience my childhood. I've spent a lot of time having to sort of grow myself up in many ways and also to sort of slow myself down and allow myself to live at the pace that I am.
I'm not a writer myself, so I'm forced to try to get what's a sort of an odour or a colour or something I feel in my head from a writer, and that's a... I don't have a recipe for that process. I don't know what it is... it's different every time.
It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.
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