A Quote by Lena Headey

I look at someone like Kathryn Bigelow, and I have so much admiration. She's playing in the boy's sandpit, and winning. — © Lena Headey
I look at someone like Kathryn Bigelow, and I have so much admiration. She's playing in the boy's sandpit, and winning.
Even after such milestones as Kathryn Bigelow winning an Oscar, there still seem to be few women in leadership roles.
I love the Kathryn Bigelow example: she didn't just do war movies - she did them better than other directors.
Kathryn Bigelow is a really good example of somebody that has maintained her truth and she makes the films she wants to make and she hasn't let other people affect her too much. Her last film is to me so inspiring and the way she sees war, the way she set up those really intimate relationships in and amongst this carnage.
I'm a huge fan of Kathryn Bigelow's 'Near Dark.'
For me, I am a huge fan of Sofia Coppola and Lynn Shelton. I love Lena Dunham, like everybody else. I love Kathryn Bigelow.
I loved Kathryn Bigelow's 'Zero Dark Thirty;' my favorite films are 'The Godfather,' 'Kill Bill: Volume 2'... I dig Tarantino's works.
I'm very happy that Kathryn Bigelow has become the first woman in the 82-year history of the Oscars to earn Hollywood's top prize for filmmakers.
When industry people see something different they don't know what to do with it, so filmmakers who make films about women, they kind of fall through the cracks. If a woman filmmaker makes film about war, like [Kathryn] Bigelow, they say "Okay, this is a war film, it has ninety percent men in it, we know what to do with it." But then she still gets attacked for not doing it properly. [...] But even though it bothers me I don't want to dwell on the sex and gender thing.
It was only when I saw films in my early 20s by Jane Campion, Mira Nair, Sally Potter and Kathryn Bigelow, I started to think, 'Oh, it's possible.' I dared to suggest that I wanted to train to be a film director.
It's remarkable she [Venus Williams] plays at all, given her Sjögren's syndrome [an autoimmune disorder that can cause joint pain]. She's back, winning tournaments. She didn't allow society to tell her, "You have this disease; you can't do that anymore." I look at her, like, "She's not playing at 100 percent. You are. You don't have excuses." Knowing what she went through helped me try to be a more positive person.
To go to the Oscars for Moneyball - that was pretty amazing. And to be able to go work with Kathryn Bigelow - that's going to be pretty sweet. Hopefully I don't have to go back to being a waiter. That's still my main goal.
To go to the Oscars for 'Moneyball' - that was pretty amazing. And to be able to go work with Kathryn Bigelow - that's going to be pretty sweet. Hopefully I don't have to go back to being a waiter. That's still my main goal.
I didn't have a lot of men to ask questions of when I was starting out. There were two female directors people suggested I talk to when I was starting out, and they were Nancy Meyers and Kathryn Bigelow.
I look at someone like Chris Pratt with such admiration.
I look into mother's stomach, wonder if you are a boy or a girl Turnin' this woman's womb into a tomb But she and I agree, a seed we don't need You would've been much more than a mouth to feed But someone I would've fed this information I read To someone my life for you I would've had to leave Instead I led you to death.
In the case of 'Zero Dark Thirty,' about the hunt for Osama bin Laden, an issue that is central to the film - torture - is so important that I feel I must say something. Mark Boal and Kathryn Bigelow have been irresponsible and inaccurate in the way they have treated this issue in their film.
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