A Quote by Lena Headey

I've been working a long time, and mostly European films. — © Lena Headey
I've been working a long time, and mostly European films.
Working with David Lynch was like taking a bullet. A gun at you. 'Lost Highway' is, I think, one of the best films I've ever been in. It'll endure a long, long time.
We're lucky to be making films. My crew and I have been working together for a long time. I think that that's what emanates.
There are so many varieties of films. You've got the jet-lagged films, where you fly to Bulgaria or wherever and get off the plane, and they bring you right to the set, and you start working, even though I don't even know my name, it's been such a long flight. Then there's the alimony films. But after you've been doing this long enough, you've gotten into every kind of situation you can imagine, even to the point where there is basically no script, so you have to kind of do it scene by scene and survive.
The European leagues have been there a long time, the coaches have been there, the clubs have been there, there's history to the teams. There's already that football support culture.
When I've been working especially long hours, I make a point to spend an extra hour or two without my phone, doing something my children choose. They love the park or pool time, but mostly, they love my undivided attention.
I have been working with the Kapoor family for a long time. Films flop and relations deteriorate. That has not happened with me, in spite of giving the Kapoors 'Prem.' I have been lucky with them, whether Surinder, Boney, Anil or Sanjay. I think I should change my surname to Satish Kapoor!
Whereas European films have traditionally been able to go into adult relationships. I think there's a huge audience in America for those kinds of films.
Once in a while a good opportunity would come along, like the first 'Playhouse 90 ever to air - working in television afforded me my best opportunities. The (film) industry was going through such turmoil at the time - studios didn't know where to go anymore, they were falling apart, television was there. They didn't know what kind of films people wanted. The European films were making a huge impact because those films wanted real people in real situations.
People talk about the difference between working on stage and working on film. I think you could say that there are as many differences between working on low budget films and working on big budget films. You really are doing the same thing, but at the same time you're doing something vastly different as well.
I've been here a long time working for women. These are long years and this is an unusual legislator.
I like independent films... European films. I do go and see popular films as well because my kids force me.
I tend to mostly take the day off from working on Sundays, but I do spend some time reading. Mostly what I'm picking up is what's in stores. I really do love to read fiction from the last year or two.
And, granted, for a long time, the European has been dominant in certain parts of this Western Hemisphere, but by the end of the 21st century, it's over.
At the time, Jean-Claude [Juncker] was already an important man in Brussels. I was a young representative in the European Parliament. We talked for a long time and from that point on, our connection became increasingly deep. But our working-class origins are at least as important to our bond.
I don't want to get in a big, long discussion about right and wrong, but our company has been working on the issue of underage drinking and alcohol abuse for a long time. I've been outspoken about it.
Mac Dre has been around a long time. E-40's been around a long time. JT the Bigga Figga, Rappin 4-Tay. There's been a lot of guys that been around a long time, but they all grew up listening to Too $hort.
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