A Quote by Lena Horne

I told them I belong to the same organizations and clubs Mrs. Roosevelt belongs to, but with a few brave exceptions, I was still unable to do films or television for the next seven years.
Money you know you need or want to spend in the next few years is savings. Money you keep handy for an emergency belongs in savings. Money you hope to use soon for a down payment on a house belongs in savings. And all savings belong in a low-risk bank savings account or money market account.
In the first years after 1989, films were partly financed from the state's budget as well as by public television. Still, except for a few special cases, most films are made this way.
The future doesn't belong to the fainthearted; it belongs to the brave.
The future doesn't belong to the light-hearted. It belongs to the brave.
Well, years and years ago, I started to ask myself three very simple questions, which dominated my life for many years. One of them was, "Why are organizations everywhere, whether commercial, social, or religious, increasingly unable to manage their affairs?" The second question was, "Why are individuals throughout the world increasingly in conflict with and alienated from the organizations of which they're a part?" And the third was, "Why are society and the biosphere increasingly in disarray?"
When someone steals another's clothes, we call them a thief. Should we not give the same name to one who could clothe the naked and does not? The bread in your cupboard belongs to the hungry; the coat unused in your closet belongs to the one who needs it; the shoes rotting in your closet belong to the one who has no shoes; the money which you hoard up belongs to the poor.
Many years ago, my neighbor told me that his daughter is very brave and she never cries. I was surprised. So, I took it up as a challenge. I met her and sat next to her, staring at her straight in the eye for a few minutes.
It's all part of taking a chance and expanding man's horizons. The future doesn't belong to the fainthearted; it belongs to the brave.
With a few exceptions, Fellini's films have failure and despair running through them: Life continues, but I can't imagine 'Felliniesque' as an exclusively uplifting adjective. Fellini's best films are the ones that distill this essence -- the paradoxical quality of melancholic ecstasy, a surreal, bittersweet vitality -- to perfection.
I have OCD and, literally, walking on the left, needing things to be in even numbers with few exceptions. One and seven, any number that ends in seven, that's all me. All the tics like the pulling of the ear and scratching of the palms, all me.
Folk music is not for a select group of people who feel that maybe he taught them about this music and that it belongs to them. It doesn't belong only to them. It belongs to everyone who's interested in the blueprints of good songwriting.
I think the future belongs to the comedic polymath. It belongs to the person who can generate the most good material in the biggest variety of ways, whether it's sketches or stand-up or songs or tweets or television or films.
I started off in theater; I did exclusively theater for four or five years. In the last few years, television has come along but I can still make film. I feel very privileged that I can move between them.
There are films that I don't like, and then someone will come up to me and say it's their favorite movie. The movies belong to the people. You make them and you put them out. For me, I love the process of making films. For me, my favorite film is always my next one.
I've been doing a lot of music for films and television for quite a few years.
Here it is,' Nigel said. Mrs D, Mrs I, Mrs FFI, Mrs C, Mrs U, Mrs LTY. That spells difficulty.' How perfectly ridiculous!' snorted Miss Trunchbull. 'Why are all these women married?
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