A Quote by Lena Waithe

I think it's so trite to say you have lead characters. It's like someone saying I'm the lead in my life. — © Lena Waithe
I think it's so trite to say you have lead characters. It's like someone saying I'm the lead in my life.
I actually don't like saying 'lead character,' which is an interesting thing. If you say there's a lead, then there has to be someone to follow.
I lead a very conventional life. I don't lead a writer's life. And I think that can be a source of suspicion and irritation to some people. This was more true when I was living in California, when I didn't lead a writer's life at all.
What I discovered is I don't like to repeat lead characters because one of the most pleasurable things in a book to me is learning about the lead.
I would not be a Moses to lead you into the Promised Land, because if I could lead you into it, someone else could lead you out of it.
One of my favourite films is called 'Lacombe Lucien,' directed by Louis Malle. The lead character in that film, like the lead characters in many '70s and '80s films, has a moral ambiguity to him.
These are ideas. I could say that they just came to me, but it would be more accurate to say that I went to them. Ideas - and new connections between ideas - lead you away from commonly held perceptions of reality. Ideas lead you out here. Ideas lead you into the darkness.
Labour needs to lead - lead on Brexit, lead in Europe, lead for the people.
I think people have this perception of the life that I lead, or that we lead, of drivers, the high life. It's not that.
Hillary Clinton and Barack Obama's strategy is to lead from behind. It sounds like what he is outlining is not to lead at all. We cannot continue to outsource foreign policy. We must lead. We are the most powerful nation in the world. We need to begin to act like it, again.
Well that's a bit of a question like saying, what have you learned in life that would help you lead? My whole life has been learning to lead, from my parents, to my education, to the experience I had in the private sector, to helping run the Olympics, and then of course helping guide a state. Those experiences in totality have given me an understanding of how America works and how the economy works.
Career success means making enough money to lead the kind of life you would like to lead as a practicing Buddhist.
I don't set out to write female lead shows, necessarily. I like deeply flawed characters. When they come to me, or when I'm introduced to them, I follow the stories and the people, rather than setting out to do a female lead thing.
I think that men have tremendous ability to lead. And I think women have a tremendous ability to lead, and they lead differently, and it gives a wonderful perspective to the problems.
When I shake someone's hand, I apply the lightest pressure on their wrist with my index and middle fingers and lead them across my body to my left. The cross-body lead is actually a move from salsa dancing. I'm finding out what kind of a partner they're going to be, and I know that if they follow my lead, I can do whatever I want with them.
I feel I have been playing all primary characters. And if your character forms a connect with the audience, it doesn't matter if you are playing only the main solo lead or a second lead.
Slowly, ideas lead to ideology, lead to policies that lead to actions.
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