A Quote by Lena Waithe
I think the stakes are always high when you're an artist of color - to get things right, to get things perfect and make everybody happy.
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I think the stakes are always high when you're an artist of color - to get things right, to get things perfect and make everybody happy. But I'm not concerned with politicians and what they think. And I'm not always going to succeed. I'll have missteps, but I hope that people will be patient with the show and us and know that our intentions are good.
I don't think intimidated is the word. I definitely get excited by it. I don't want to let anybody down. I've always been the type of person to make everybody happy and get things done. I want everything to be 100% perfect. I do feel it when people hold me to high expectations.
I've always been the type of person to make everybody happy and get things done. I want everything to be 100% perfect.
The stakes are so high because auditions are make or break. You get the job or you don't. The stakes are about as high as they get, for yourself and your own self-esteem.
In New York the stakes are so high. In urban centers the stakes are so high. You marry the wrong person, you go to the wrong college, you take the wrong job. Any of these things could really get you in trouble down the road. Or in your mind anyway. You're afraid to make any move, it's paralyzing.
I am happy with what I have done until now, but there are things I would like to improve. I would like to do more, there is always margin to grow and reduce mistakes, fix things to get things perfect.
I want to show two things. One, that Democrats can solve big problems and get things done. And two, that as a public official, you can make tough choices, do the right things for the right reasons, and upset some people. And still get elected.
I'm not living my life out there trying to make everybody happy. I'm doing things that I feel like are right and things that I believe in.
Everybody always asks us how we choose the movies we have going right now, and it's hard to explain sometimes. There's a randomness to the way things kind of happen and get done. And sometimes you have this perfect storm, and you have to accept that and do the best you can.
I got a little bit of a sense for the subculture, which is the equivalent of any subculture, really. The stakes are high, even if you live in a small town. It's like the annual bass fishing contests, or whatever it is. The stakes are always absurdly high, and this is no different. The competition at this butter carving things, from what I understand, is not that far off from what we're depicting in the movie.
Loretta, I love you. Not like they told you love is, and I didn't know this either, but love don't make things nice - it ruins everything. It breaks your heart. It makes things a mess. We aren't here to make things perfect. The snowflakes are perfect. The stars are perfect. Not us. Not us! We are here to ruin ourselves and to break our hearts and love the wrong people and *die*. The storybooks are *bullshit*. Now I want you to come upstairs with me and *get* in my bed!
People ask me, 'What happened in your life that might have pushed you as an artist to get to where you are today?' I always felt a little on the outside. And as such, you're always observing things. So, I'd be kind of re-creating these things in my mind, and I think drawing it was a way to deal with that.
Everybody understands that no matter what your day-to-day job is, when something happens, everybody gets involved to get it fixed and make it right. It really comes down to teamwork. When people come into the culture and see that everybody in the company plays a role to make things happen, they also act. When people don't, then it just doesn't work, and they don't make it.
When you have the catalog of work, it doesn't feel like you've got one shot to get it right; it's just like, you're making a new document of something at the present time, and it's a living thing, and it changes. It's been cool to help other people make their records, to produce. You get a crash course in things that you don't get as the artist.
I love things where I can be physical and I so love high stakes, and you usually don't get that unless you're doing a play or an action movie.
People come to me with ideas for shows, and I certainly am thinking of stuff all the time. And it's always like, you know, "Get high and drive a car!" Or "Get high and do this or that." It's always things like, "Well, that's a terrible idea to get high and do that." So, when they came to me with this, I was like, "Well, you're just sitting there and discussing cases."
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