A Quote by Leni Zumas

Part of being a writer is feeling that constant dissatisfaction, thinking about what else you could do, and also knowing when it's time to leave a project. — © Leni Zumas
Part of being a writer is feeling that constant dissatisfaction, thinking about what else you could do, and also knowing when it's time to leave a project.
Part of being a fiction writer is being able to imagine how someone else is thinking and feeling. I think I've always been good at that.
I think a lot of what I've done is about people feeling as if they are part of the world but also not part of it at the same time. I don't know whether that's from being a gay kid, but I definitely think that resonates with me.
There is a certain amount of dissatisfaction that goes with knowing your time, talent and abilities are not being properly used.
Self-awareness is a trait - or maybe 'practice' is the more accurate way to put it - that everyone can always improve at. It is part emotional intelligence, part perceptiveness, part critical thinking. It means knowing your weaknesses, of course, but it also means knowing your strengths and what motivates you.
By the time a writer comes onto a project (if they're being hired as a contractor) the main character has usually been designed, as that's always done during a project's pitching stage.
He didn’t know if that was really true or not, but he discovered something which was tremendously liberating: he didn’t care. He was very tired of thinking and thinking and still not knowing. He was also tired of being frightened, like a man who has entered a cave on a lark and now begins to suspect he is lost. Stop thinking about it, then. That’s the solution.
I never make a choice thinking about the results. I'm never gonna take a role or a project thinking where this could - what this could bring me or something like that, because you've got no control about anything, actually.
We can all learn that we can take full responsibility for what thoughts we are thinking and what emotional circuitry we are feeling. Knowing this and acting on this can lead us into feeling a wonderful sense of well-being and peacefulness.
One big power of an actor is knowing when to say no to something. It can be very tempting to say yes to something, because you're flattered that somebody would like to work with you, and your ego sort of takes over, but it's important to ask whether there could be something you could add to a project by being part of it.
I'm a writer, not an editor, and though the editing rarely cut into my writing time, it did take away from that walking-around-thinking-about-it-when-you're-not-thinking-about-it time that I think is important for writers. When you're half-thinking about what you're working on while driving, cooking . . . just letting things sift and settle, come to you.
When you look at yourself and feel dissatisfaction about any part of you, you will continue to attract feelings of dissatisfaction, because the law mirrors back to you exactly what you are holding inside. Be in awe and wonder at the magnificence of you!
I learned to write from reading. I had no writing classes. It's part of my thinking as the writer-author, reading, but then I also want to bring this into my characters, who also read and think. There's that great quote from Virginia Woolf - it's very simple: "...books continue each other." I think when you're a writer, you're also, hopefully, a reader, and you're bringing those earlier works into your work.
'Lost in Translation' movie says something interesting about the alienation of being a stranger in a strange land, but also of being a celebrity. That kind of feeling of not being in the same strata as everyone else.
The fun for me is knowing what the other person is saying and what my character would be thinking at that time. On the stage you get the chance to do all that, to analyze and build a part, to react, to contribute something no one else can-not the author, not even the director.
In churches, we see that getting people to show up for a prayer meeting is a lot more difficult than a concert or service project or just about anything else. So we were thinking, we're stepping into some unknown territory here that could be as profitable, or it could be a box-office flop, but there was a rightness about it. And so this whole idea of the war room being like a spiritual warfare room, a place of prayer where you get alone with God and you're making your decisions and you're dealing with your issues first in prayer.
The time I spent thinking about how I was better than somebody else or worrying about somebody else's attitude was time I could put to better use.
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