A Quote by Lennart Nilsson

You know, of course, the specimens are not alive. We have to fix them in a fixing liquid formaldehyde and then we have to do a rinsing and then we have to coat them in a thin layer of gold.
When making any pureed soup, don't blend all the liquids and solids together at once. Hold back some liquid at first and use it to thin the soup as needed. You can always add more liquid, but there's not much you can do to fix a too-thin soup.
We sometimes freeze the specimen with liquid nitrogen, which is extremely cold, you know. This is another technique we use now - but the specimens are not alive.
A lot of people who want to cook with less fat are surprised by that. You can cook vegetables in a little water in a covered pan and then throw the fat into the residual liquid to coat them.
It’s a trifle. It’s got all of these layers. First there’s a layer of ladyfingers, then a layer of jam, then custard, which I made from scratch, then raspberries, more ladyfingers, then beef sauteed with peas and onions, then a little more custard, and then bananas, and then I just put some whipped cream on top!
I like to cook my crepes in a little butter, which gives them a nice, golden-brown color and lacy-looking surface. I rub a thin layer into a preheated skillet, then wipe out all the excess with a paper towel.
So, we get into the first piece. Then, layer, layer, layer, do all of this. Then we jump into the trousers. Then I'm zip-tied in to this bottom piece and glued into the feet. So you can't get out. There is a zipper...somewhere. But it'll cost you money to find out where. And to actually make it functional, it's pretty ridiculous. So, I plan ahead.
You know when sometimes you meet someone so beautiful — and then you actually talk with them, and five minutes later they're as dull as a brick. But then there's other people, and you meet them and you think: "Not bad, they're okay," and then you get to know them, and their face sort of becomes them, like their personality's written all over it; and they just — and they turn into something so beautiful.
The dead think they can get away with anything because you'll feel sorry for them. If you play cards with the dead, make sure you deal and don't let them buy you drinks. They'll slip you a formaldehyde roofie and pry the gold fillings out of your teeth.
My mother kept all my awards on the sideboard of her front room, and she polished them. She polished everything religiously. And it doesn't take long for the very thin layer of gold to disappear and the base metal underneath to show through.
Suttas are not meant to be 'sacred scriptures' that tell us what to believe. One should read them, listen to them, think about them, contemplate them, and investigate the present reality, the present experience with them. Then, and only then, can one insightfully know the truth beyond words.
When I can see my face in it [the liquid gold in the crucible] then it is pure.
Once you convince people that they're victims, you really own them because you've just told them that whatever problems they have in life, it's not their fault. And then you're telling them they can't fix them by themselves. Look at your life. Your life sucks. You're a victim of these people here, you can't fix it. You need us looking out for you. "Us" being the Democrat Party in this case, the people that go out and get votes.
Of course I made many boo-boos. At first this broke my heart, but then I came to understand that learning how to fix one's mistakes, or live with them, was an important part of becoming a cook.
'Writing' is the wrong way to describe what happens to words in a movie. First, you put down words. Then you rehearse them with actors. Then you shoot the words. Then you edit them. You cut a lot of them, you fudge them, you make up new ones in voice-over. Then you cut it and throw it all away.
Many problems are so complex that even if we had the money to fix them, we wouldn't know how to do it. Fixing inner-city schools, reducing obesity, creating peace in the Middle East are just a few examples.
In a private room he showed me the first specimens of gold, that is he was not certain if it was gold or not, but he thought it might be; immediately I made the proof and found that it was gold.
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