A Quote by Lennie James
I will say that when I first came out to the States to work on 'Jericho,' that was the only time that I've ever been frightened about a job, because in America they tell stories over such a long time, and I was petrified that I'd get bored.
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The fastest I ever did that was when Kill the Moonlight came out after Girls Can Tell, and I remember both labels I was working with at the time saying, "If this was any other period, I would probably say this is too fast, but because this is first time anybody has ever paid attention to Spoon, let's keep it on an upward trajectory."
My first date was with a girl named Cessi. We'd had a beautiful relationship over the phone all summer long. Then she came home and we met to go out for the first time to the movies. When I saw her I was petrified. I couldn't even look her in the eye to talk to her.
As an artist, I feel more strongly than ever that my job on earth is to tell the stories of the invisibles, and women have been invisible on film for a long time.
Even over time, with a stable coaching staff and one manager who is fantastic and been in place for a long time, you can't ever defer and stay out of the clubhouse because you don't want to get in the way.
My family came to Australia on the First Fleet. My family’s been in that country for a long time, over 100 years. If your family’s lived in Australia for a long time, everyone has a little bit of [Aborigine blood]. I know my family does because we have an eye condition that only Aboriginal people have.
I think we need stories, and we need to tell the stories over and over and over not only to remind us, but to be able to have that clarity of experience that changes us, so that we know who we are now because of who we have been at some other time.
This time I particularly loved because it came from a real experience with my grandchildren. Having them alone alone for the first time for six or seven days and going "Wow, this is exhausting," because when you're not around little ones for a long time, you forget about how much work that is. So I came in and started writing the story that became this movie ['PARENTAL GUIDANCE'].
What's neat about TV is you get really rich, an opportunity to tell really rich stories over the course of 20 hours. Film is cool because it's an hour and a half to two hours. You go on an adventure and by the end it's all cleaned up. Maybe in a franchise you have three chapters of a great story but in TV you can really get deep. You have more time to tell stories so I would definitely not rule out doing television in the future because I think it's a great medium for telling stories.
I tell you these stories because these things happen to everyone. It's not about being starched or polished or cute or polite. It's about having ears that stick out, about breaking yet another glass. It's about seeing something for the first time and making a million mistakes and not ever getting completely discouraged.
When I came to New York it was the first time I'd ever taken a plane, the first time I'd ever gotten a taxi-cab, the first time for everything. And I came here with 35 dollars in my pocket. It was the bravest thing I'd ever done.
This whole idea of editing, not one time I can tell you, not one time has a producer ever asked me to say something I did not want to say. I will also say this about 'Drag Race' producers: I will stand by the show and the people there because they have changed so many people's lives for the better, and I'm one of them.
I get bored with unintelligent scripts. When I read the first page and I can tell what is going to happen, I know I don't want to make the film. It's two months work and I would get deeply bored. I would even prefer to do something that didn't work at the box-office, so long as it kept my interest alive.
You want to go to a place where you work every day, where you get to tell stories that look and feel like the audience in America that are watching. You're really limited, if you walk into a room and you can just tell stories about that. So, we've been really blessed.
Time says hush: by the gong of time you live. Listen and you hear time saying you were silent long before you came to life and you will again be silent long after you leave it, why not be a little silent now? Hush yourself, noisy little man. Time hushes all: the gong of time rang for you to come out of the hush and you were born. The gong of time will ring for you to go back to the same hush you came from. Winners and losers, the weak and the strong, those who say little and try to say it well, and those who babble and prattle their lives away, time hushes all.
Don't stay at the job for safe salary increases over time. That will never get you where you want - freedom from financial worry. Only free time, imagination, creativity, and an ability to disappear will help you deliver value that nobody ever delivered before in the history of mankind.
I think it's an actor's responsibility to change every time. Not only for himself and the people he's working with, but for the audience. If you just go out and deliver the same dish every time... it's meat loaf again... you'd get bored. I'd get bored.
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