A Quote by Leo Buscaglia
Catch the beauty of the moment!
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Beauty spins and the mind moves. To catch beauty would be to understand how that impertinent stability in vertigo is possible. But no, delight need not reach so far. To be running breathlessly, but not yet arrived, is itself delightful, a suspended moment of living hope.
Lord, catch me off guard today. Surprise me with some moment of beauty or pain so that at least for the moment, I may be startled into seeing that you are here in all your splendor, always and everywhere, barely hidden, beneath, beyond, within this life I breathe.
As I experience it, appreciation of beauty is access to the soul. With beauty in our lives, we walk and carry ourselves more lightly and with a different look in our eyes. To look into the eyes of someone beholding beauty is to look through the windows of the soul. Anytime we catch a glimpse of soul, beauty is there; anytime we catch our breath and feel "How beautiful!," the soul is present.
Live now. When you are eating, eat. When you are loving, love. when you are talking with someone, talk. When you are looking at a flower, look. Catch the beauty of the moment!
Catch, then, O catch the transient hour; Improve each moment as it flies!
Somewhere in talking and rehearsing, there is a magical moment where actors catch a current, they're on the right road. If they really catch it, then whatever they do from then on is correct and it all comes out of them from that point on.
Happiness comes from living in the moment, this moment, now, right here. If you are in obscure states of mind, you won't see what this moment is. You won't realize its beauty.
Catch, then, oh! catch the transient hour,
Improve each moment as it flies;
Life's a short summer-man a flower;
He dies-alas! how soon he dies!
What you and I need to do is learn to forget our differences. When we come together, we don't come together as Baptists or Methodists. You don't catch hell 'cause you're a Baptist, and you don't catch hell 'cause you're a Methodist... You don't catch hell because you're a Democrat or a Republican. You don't catch hell because you're a Mason or an Elk. And you sure don't catch hell 'cause you're an American; 'cause if you was an American, you wouldn't catch no hell. You catch hell 'cause you're a Black man. You catch hell, all of us catch hell, for the same reason.
Nonviolent Communication is a way of keeping our consciousness tuned in moment by moment to that beauty within ourselves and others, and not saying anything that we think might in any way tarnish people's consciousness of their own beauty.
The real difference between God and human beings is that God cannot stand continence. No sooner has he created a season of a year, or a time of day, than he wishes for something quite different and sweeps it all away. And human beings cleave to the existing state of things. All their lives they are striving to hold the moment fast, and are up against a force majeure. Their art itself is nothing but the attempt to catch by all means the one particular moment, one mood, one light, the momentary beauty of one woman or one flower, and make it everlasting.
The tension I feel is the moment they say, 'Action!' Movies are like lightning in a bottle, and you always want to find when you possibly can catch a surprising moment.
It's a tough world. One moment, you're the hottest thing; there aren't enough hours in the day - you can barely catch your breath. The next moment, it's all about how many Instagram followers you have.
To express dynamic motion through a static moment became for me limited and unsatisfactory. The basic idea was to liberate myself from this old concept and arrive at an image in which the spectator could feel the beauty of a fourth dimension, which lies much more between moments than within a moment. In music one remembers never one tone, but a melody, a theme, a movement. In dance, never a moment, but again the beauty of a movement in time and space.
This is something I haven't told many people, because it's embarrassing. We always used to catch flies with our hands. I was the only one who could catch 'em. One-handed, two-handed. I actually studied flies. I'd watch 'em. How do you catch flies? They fly up. If I can catch that, I can catch anything.
Because beauty consists of its own passing, just as we reach for it. It's the ephemeral configuration of things in the moment, when you can see both their beauty and their death.
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