A Quote by Leo Kottke

I have always thought of myself as a performer first and way down the line as a recording artist. — © Leo Kottke
I have always thought of myself as a performer first and way down the line as a recording artist.
I've never really thought of myself as just an actor; I always thought of myself as aspiring to be an artist, and an artist has to take risks and put himself on the line.
Believe it or not, most people think of me as a recording artist, but actually the way I think of myself and the way I earn my living is as a performing artist.
The first part of my career was indeed as a performer and recording artist, and I am still keenly involved with both. While rummaging around in the British Library, I found many delightful and interesting compositions by 18th-century men and women composers.
I'm a recording artist, a performing artist and a producing artist. All those things have everything to do with the outcome of my shows. I get myself studying every part of the game and not everyone has the characteristic to do that. In my mind, you need all three to become an artist.
Being a performer and recording artist and playing 'World of Warcraft' - that's a pretty time-intensive combination.
I felt that, in retrospect, there was a time in the late Seventies, after I had a string of hits and successes, as a performer and a recording artist, that I wasn't saying anything.
Speaking of line, what artist of line was ever able to find more depth and volume than Hirschfeld? He was an illustrator and a caricaturist, but first and foremost, an artist.
The motif must always be set down in a simple way, easily grasped and understood by the beholder. By the elimination of superfluous detail, the spectator should be led along the road that the artist indicates to him, and from the first be made to notice what the artist has felt.
I have always thought of myself as an inventor first and foremost. An engineer. An entrepreneur. In that order. I never thought of myself as an employee. But my first jobs as an adult were as an employee: at IBM, and then at my first start-up.
The transition from fan to performer to recording artist, for me, was like learning how to dive... and each board got higher and higher.
I'm a performance artist first; I'm a recording artist second.
I always thought I'd end up at a small school and have to play my way up to what I thought I could be. But no, I've always had confidence in myself. That was never a thing. It was just whether or not colleges or coaches felt that way about myself.
I hadn't been a recording artist all that long when albums came on the scene, and I was one of the first singers to point the way to how varied an album's contents could be.
The modern recording studio, with its well-trained engineers, 24-track machines and shiny new recording consoles, encourages the artist to get involved with sound. And there have always been artists who could make the equipment serve their needs in a highly personal way - I would single out the Beatles, Phil Spector, the Beach Boys and Thom Bell.
Over a year before I started recording Salad Days, so I finally sat down and was like I have to do this. And it did feel like a chore. I was looking at it in a completely wrong way, trying to one up myself. Just the typical sophomore album bullshit. The main thing I got out of it is I eventually gave up on all that stuff. I had to re-learn why I liked making music in the first place, why I liked recording in my room all the time. Because it's fun. It's fun for me.
I've always thought of myself primarily as an artist; it's what I most define myself as. The acting was all an accident.
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