A Quote by Leo Ornstein

I think there have been some periods when the writing almost became a bit of a burden. — © Leo Ornstein
I think there have been some periods when the writing almost became a bit of a burden.
There have been periods in my life where I have experienced depression. It has been through some of my darkest moments that I have written some of my best songs. For me, singing and writing is very therapeutic. It's much more effective than taking Prozac!
When I was first writing, I used to sit at the piano and play songs - I'd write one or two a night. It was my hobby. At some point, it then became a process that was mainly done within the context of the studio, and writing became part of the recording process.
My working habits are simple: long periods of thinking, short periods of writing.
I think the difference between writing as someone and writing for them is that when you write for someone, you take on a kind of political burden or message, which I don't think we have the right to do.
I've been writing music since I was 9. I took harmony and counterpoint classes when I was studying the clarinet. So, I've been writing for an awfully long time. It just became part of everyday life.
We think is happening in the brain, the way I like to think about it is, it's almost like, you're brain is going through all these stages of sleep and it's developing in children so fast that it's almost like you're shifting gears in a car. And at some point, you actually stall out a little bit, and that's kind of what happens during a night terror.
Songs became little time periods of my life, little tales from certain periods, and you build these kingdoms and memories... they're all little personal relationships and places that I've stored in my head.
But I think writing should be a bit of a struggle. We're not writing things that are going to change the world in big ways. We're writing things that might make people think about people a little bit, but we're not that important. I think a lot of writers think we are incredibly important. I don't feel like that about my fiction. I feel like it's quite a selfish thing at heart. I want to tell a story. I want someone to listen to me. And I love that, but I don't think I deserve the moon on a stick because I do that.
Most writers battle with periods of being blocked; it's almost an occupational hazard. But in the writing of his last and greatest novel, 'A Passage to India,' E. M. Forster got stuck for nine years.
I hesitate to say yes - I had writer's block, because I know there are people who've had really serious cases of it, and I've never been paralyzed like that, but I definitely get blocked sometimes. More than periods where I don't write anything, I have periods where I just write junk and I know I'm writing junk but I can't stop.
Knowledge is a burden if it robs you of innocence. Knowledge is a burden if it is not integrated into life. Knowledge is a burden if it doesn't bring joy. Knowledge is a burden if it gives you an idea that you are wise. Knowledge is a burden if it doesn't set you free. Knowledge is a burden if it makes you feel you are special.
Almost without exception, everything society has considered a social advance has been prefigured first in some utopian writing.
My life has really been about writing, though some think it's all about once having been in a ball dress and having an odd life and marrying all the time. But it's the writing that's always been the point.
I've been a little bit Las Vegas and casino-obsessed. So, I love some trashy glamour... and I think nothing's trashier or more glamorous than a bit of a sheer number!
Some periods of our growth are so confusing that we don't even recognize that growth is happening...Those long periods when something inside ourselves seems to be waiting, holding its breath, unsure about what the next step should be, eventually become the periods we wait for, for it is in those periods that we realize that we are being prepared for the next phase of our life and that, in all probability, a new level of the personality is about to be revealed.
I don't think it feels like a burden. We did not really think of it ["Mary and Jane"] that way. I think it is certainly how we branded. The thing it does is enables us to be a little bit surreal.
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