A Quote by Leo Sayer

I'm not this cuddly, jumper-wearing, good-guy. I'm not David Cassidy. I'm more Johnny Rotten. I'm more Donny Tourette. — © Leo Sayer
I'm not this cuddly, jumper-wearing, good-guy. I'm not David Cassidy. I'm more Johnny Rotten. I'm more Donny Tourette.
Girls slightly younger tended to be Donny Osmond girls or Michael Jackson girls, but for my generation, it tended to be David Cassidy.
I never met Johnny Rotten, and I didn't want to meet Johnny Rotten.
I didn't want to be the typical teen idol. I didn't want to be Leif Garrett. I didn't want to be Shaun Cassidy, David Cassidy or Parker Stevenson. I wanted to do my own thing.
When I started out, everyone seemed to be adopting these names... Johnny Rotten, Sid Vicious. I wasn't really Rotten or Vicious or Nasty, so I wanted something a bit more funny - yet something that seemed real rock 'n' roll... something that acknowledged my ambition.
No matter what Johnny Rotten and Sid Vicious do, they can't be more disgusting than The Rolling Stones are in an orgy of biting.
I am proud of who you were, David-that hurt person who refused to "die." And I'm more caring, giving, fixing person, the guy with the same sense of humor and that deft, sensitive touch. Good on you, David I love you.
Johnny Nitro was like Johnny Hollywood, Johnny Danger, Johnny Blaze... it's just an obvious stage, Hollywood name. But John Morrison is more like a real person.
Johnny sort of popped into my head midway through the first draft, and he wouldn't leave. But the more I thought about it, the more it made sense. In the first half of the movie, this guy is in the house not doing anything. I really needed an actor who's inventive and who will make enough idiosyncratic choices to make it entertaining to watch. And let's face it, Johnny Depp could make a nap interesting to watch.
Johnny Rotten. He's a big fan of mine. I used to see him out in the audience in England and he'd stand up and holler. He's funny. Smart too, and a nice guy. Don't think he's a jerk because he isn't.
As I write, Johnny Rotten's first moments in "Anarchy in the U.K." - a rolling earthquake of a laugh, a buried shout, then hoary words somehow stripped of all claptrap and set down in the city streets - I AM AN ANTICHRIST - Remain as powerful as anything I know. Listening to the record today - listening to the way Johnny Rotten tears at his lines, and then hurls the pieces at the world; recalling the all-consuming smile he produced as he sang - my back stiffens; I pull away even as my scalp begins to sweat.
Using Unix is the computing equivalent of listening only to music by David Cassidy.
If a guy married a woman and the guy was more famous, the world wouldn't deem it an inequal relationship. But if you have a guy marrying a woman who is more well-known, more, in quotes, "powerful," more wealthy, then there's a kind of reverse sexism that comes out, right?
My hair was long - in my high school year book, I looked like an ugly David Cassidy.
It's much harder to play beloved than to play a rotten guy. Rotten guy is a piece of cake. So playing a beloved person really sets a high bar for your behavior and your acting and what you project.
Johnny Rotten isn't punk. Maybe that's punk to somebody, but these people are participating and challenging the corporations that are telling us what punk is and what good music is.
When you're playing a good character, you have an idea that you're playing the hero and the good guy. Actually, I think you're more stymied playing the good guy than you are the bad guy. As the bad guy, you have no inhibitions. Nothing stops you from doing what it is you feel you have to do. You do it because it's what's required.
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