A Quote by Leo Sayer
In my earlier albums like 'Another Year' and 'Just A Boy,' I always saw myself as a bit of a loser - the kind of guy who takes a drink and walks into a wall instead of through the door.
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You know what? For myself, I kind of like the spy because it takes another guy out of coverage or another guy out of rushing.
One of my friends once saw another guy's (criminal) record and said, 'Look, this guy is a born troublemaker, just a loser.' I had to tell him, 'No, that's my record - and it doesn't include my juvenile history.'
Pop music catches on like a meme. It just takes a little bit of tinder, and it can become a phenomenon. You have to break through that wall a little bit. Why it happens, I don't really know.
A guy walks into a bar, orders a drink, sees a girl that catches his eye. Asks her if she wants another, they fall for each other and end up lovers. They laugh, cry, hold on tight and make it work for a little while, then one night her taillights fade out into the dark. And a guy walks into a bar
I'm kind of like a guy who's missing a little bit of the guy gene. Like, I love steak, but the notion of golfing is the last thing I would want to do. I love women, but I'm also a mama's boy, and some of my best friends are women. So I'm kinda half guy's guy.
My first two albums, 'Silverbird and 'Just a Boy,' which had the single 'Long Tall Glasses' on it, were very well received. Then I did another one, 'Another Year,' which did miserably.
Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
I saw a door that said exit only. So I entered through it and went up to the guy working there and said "I have good news. You have severely underestimated that door over there. By like a hundred percent."
With each door one women walks through it is incumbent to bring another woman through it with her.
I carried Rudy softly through the broken street...with him I tried a little harder at comforting. I watched the contents of his soul for a moment and saw a black-painted boy calling the name Jesse Owens as he ran through an imaginary tape. I saw him hip-deep in some icy water, chasing a book, and I saw a boy lying in bed, imagining how a kiss would taste from his glorious next-door neighbor. He does something to me, that boy. Every time. It's his only detriment. He steps on my heart. He makes me cry.
I've always said that I'm an employee and I respect that status but I'm the type of guy who walks in the front door and I'll walk out the front door if it's not right.
I keep reminding myself I'm the same guy who was lucky enough to get my break because Roger Daltrey commissioned me to write the songs for one of his earlier albums.
When God gives you a door, if you want access, you go through that door. People didn't like Jesus. Oh, they had all kind of reasons to hate him but Jesus said, "I am the door. Any man who enters must come by me. If you don't come by me," he said, "you're a thief and a robber."
Well, if Omarosa Manigault is the door to Donald Trump, well I kind of like that door. That's a pretty door. That's an intelligent door. That's a spiritually rooted door.
You can show a guy sort of peeking over the wall, you can see a guy tunneling underneath, you can see a guy going through the front door. All of those, in cyber terms, are vulnerabilities, because it's not that you have to look for one hole of a specific type. It's the whole paradigm.
I don't see myself as some kind of fightin'-the-good-fight guy. But I always feel like if you don't like one kind of music or the other, it's just not for you.
I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.
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