A Quote by Leo Sayer

I keep reminding myself I'm the same guy who was lucky enough to get my break because Roger Daltrey commissioned me to write the songs for one of his earlier albums. — © Leo Sayer
I keep reminding myself I'm the same guy who was lucky enough to get my break because Roger Daltrey commissioned me to write the songs for one of his earlier albums.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
I can't stress enough how important it is to write bad songs. There's a lot of people who don't want to finish songs because they don't think they're any good. Well they're not good enough. Write it! I want you to write me the worst songs you could possible write me because you won't write bad songs. You're thinking they're bad so you don't have to finish it. That's what I really think it is. Well it's all right. Well, how do you know? It's not done!
For me certainly Earl Campbell and Tony Dorsett come to mind, and Roger Staubach. I've grown up here in Dallas watching Roger and his playing career and to be in the same fraternity as Roger Staubach is/was a huge deal for me.
I write songs for the same reasons most artists write songs -because I have to, whatever that means. Because I want to talk about myself or have demos that need to be sent off. I like doing it. It's my job and I like doing it. For the most part, it's pretty easy for me.
You don't always get lucky enough to have songs that can breathe and shift meaning. But every once in a while you open up a window and something passes through. It's really nice for me when I discover those songs in my catalogue. It's one of the reasons I try not to get too specific about what my songs mean.
I like albums where all the songs are written in one go. If you're trying to create the number-one album with the best songs ever, I get why you'd want to write for three years and pick the best ones, but for me, I'd rather hear a group of songs that are all expressing a state, or time of your life. I think it's more that.
I don't want to change the way I write my songs, I like the way I write my songs, so I keep 'em the same. I'd like to write more country songs, but other than that, I'm pretty good where I am.
I get tired of the same albums, the same look and singing the same songs. When I get bored I paint, I plant trees and just do something different. I get far away from singing.
I was a welder for about three or four months, and I was lucky enough to get out of it because there was a guy who wanted to support me and pay for my racing.
If it was up to me, I'd get more oil tanker drivers drunk. I don't value music much. I like the Beatles, but I hate Paul McCartney. I like Led Zeppelin, but I hate Robert Plant. I like the Who, but I hate Roger Daltrey.
First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.
The key is you have to keep doing the right thing. Do the right thing and stay around long enough, and you'll keep getting parts. And if you don't, you write your own parts, which I'm lucky to do. It's like anything else: you get hot, you get cold, then you get hot again. You just keep working.
I write for myself; I'm trying to keep myself interested in the music. But at the same time, I want to make the songs relatable in a way; I want to keep melodies pretty simple and the lyrics open-ended so that people could maybe relate them to their own life in different ways. Something for everybody to have a piece of.
We're very historically tried and true when it comes to our albums. We pick the best songs; we get rid of the songs we feel don't fit on the album, and we don't work on remixing or remastering albums.
Sometimes touring can warp reality because you're never in one place long enough to get a feel for it. You don't interact with people long enough to know what real life is. That's why a lot of artists write songs about longing and missing people when they're on the road. I do my best to keep my mind open and I read a lot when I'm on tour, so I hope I have good things to write about. I'm constantly in the songwriting process.
In my earlier albums like 'Another Year' and 'Just A Boy,' I always saw myself as a bit of a loser - the kind of guy who takes a drink and walks into a wall instead of through the door.
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