A Quote by Leo Sayer
My first two albums, 'Silverbird and 'Just a Boy,' which had the single 'Long Tall Glasses' on it, were very well received. Then I did another one, 'Another Year,' which did miserably.
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I did a couple of pilots that didn't sell, a few movies, and one year of nightclub work, which I hated. Then I did the pilot of 'The Brady Bunch' and never had to do another nightclub.
I did not know at first that it would be a series; I discovered after the first novel that I had more to say about it, so I did another. And another, and then the readers demanded yet more.
They had a year of joy, twelve months of the strange heaven which the salmon know on beds of river shingle, under the gin-clear water. For twenty-four years they were guilty, but this first year was the only one which seemed like happiness. Looking back on it, when they were old, they did not remember that in this year it had ever rained or frozen. The four seasons were coloured like the edge of a rose petal for them.
But the people did get it. They had lost something -- not exactly their fear, but their patience. Suddenly it seemed unbearable to go on accepting these systems, these portly little idiots in their blue suits, for another year, and then for another day, another hour. That special sort of impatience is the power-surge of revolution.
In the closed world of the gynaeceum, despite the gardens and parkland extending beyong the horizon, despite the insurmountable walls separating pavillions and palaces, the tangled web of our fate was inescapable. Why did these women love each other to the point of madness? Why did they loathe one another so vehemently, and why did sworn enemies feel such horror and fascination for one another? Why should furious hate become obsession, then intoxication and the very reason to live?Because love and hate were the two heads of the demon.
NBA gets to see these players develop more..Did Lebron need another year, Did Kobe need another year
Well, the first two movies of any size that I did were a movie called 'Everybody's All American' that Taylor Hackford directed - I was pretty diva on that - and then 'Pretty Woman,' which is probably my first real breakthrough.
Whenever the horse stopped (which it did very often), he fell off in front; and, whenever it went on again (which it generally did rather suddenly), he fell off behind. Otherwise he kept on pretty well, except that he had a habit of now and then falling off sideways; and, as he generally did this on the side on which Alice was walking, she soon found that it was the best plan not to walk quite close to the horse.
I did radio, I did television, I did opera, I did films in which I had very, very little to say. But I had a lot of experience in front of the camera, and that's what really counts.
I am very happy to announce my renewal with HRC. I had always dreamed about being part of the Repsol Honda Team, and thanks to Honda, the dream came true a year and a half ago. Everything happened very quickly last season, and I would have never imagined that I could achieve what we did. Becoming World Champion during my first s eason was another dream turned into reality. It is a great honor to be a part of the Honda family, and I'm glad to remain with this special group of people for another two seasons.
We used to say that inside Cecil Beaton there was another Cecil Beaton sending out lots of little Cecils into the world. One did the sets, another did the costumes. A third took the photographs. Another put the sketches in an exhibition, then into magazines, then in a book.
In the rest of the world we had had two albums that were successful, so those two albums' hits and this new four-single package made up an album called Wham! The Final, which is basically greatest hits. We couldn't have done a greatest hits over here, because we'd only done one hit album.
My first pictures are from 1972, and my first proper camera dates back to 1973. During the first year I used my father's camera. It had a flash on it, which I don't like, but I didn't know anything about photography back then, so it was just what I did.
The albums I did around that time probably wouldn't have been the same without Ecstacy. The first three Soft Cell albums... were all really albums that were just done around Ecstacy and the whole E feeling.
Every human being lived behind an impenetrable wall of choking mist within which no other but he existed. Occasionally there were the dim signals from deep within the cavern in which another man was located so that each might grope toward the other. Yet because they did not know one another, and could not understand one another, and dared not trust one another, and felt from infancy the terrors and insecurity of that ultimate isolation there was the hunted fear of man for man, the savage rapacity of man toward man.
I did a lot of serious plays, and I did the Oxford Review as well, which is supposed to be funny, but I'm not sure how funny we were when we did it. Then, when I finished my course, it was only then that I decided to go to drama school and try and do acting because I was enjoying it so much and so on.
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