A Quote by Leo Sayer
That's the nature of the business. You can have a hit and then nothing happens all of a sudden. But I don't resent it. Hits don't make great artists.
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What is a hit? Who can tell? Who decides what a hit sounds like? I needed to remind myself that a hit is whatever people decide is a hit. I don't make hits; I make music. People make hits.
A plate of food hits the table, lands right in front of you. One of two things happens. Either you sit up and look at it and react to it, or nothing happens. If nothing happens then that restaurant is stuck in mediocrity forever.
I've never been the big recording star I'd love to be some day. I've had lots of hits off and on through the years but I've never had the success of other artists - one hit after another back-to-back-to-back and big hits, where every song is going to be number one. I'm not greedy or nothing. I just want everything. Is there something wrong with that?
You could have the bases loaded, and you bring up the best pinch-hitter in the world to pinch hit, he hits into a double play, and then all of a sudden: 'How could you do that?'
Everybody used to be busy writing songs - great songs - that became hits. Now everybody's writing hits. Everybody's desperately writing a hit because they know they can't survive if they don't have a hit. Where in the past, we were writing a song like 'More Than Words' on a porch, not really believing it was gonna be a hit.
A lot of artists still will not get that far. And get that far and be as successful. So, it's a great thing for me, and hopefully I can make it to number 10. And then I would want to start managing other artists, 'cause I think the best manager is an artist, his, or herself, that has been in the business and been successful and knows the ins and outs of the business.
You could have a season where you hit .330 and did all these great things, but nothing ever materialized from it and you went home October One. Or you could hit .260 and have key hits and key plays on defense that help your team get to the playoffs and win the World Series.
Sometimes you get hit on the nose and nothing happens, then you get hit and something breaks.
I'm not a one-hit wonder as some suggest. I've had a couple of hits, but still, all of my hits were in the '70s. There was pretty much nothing in the '80s, '90s, or in the first full decade into the next millennium.
Most of the time, when I had hits as a soloist - maybe not so much with Simon & Garfunkel - I was surprised they were hits. I didn't know what the hits were. I never thought that 'Loves Me Like A Rock' was going to be a hit, or 'Mother And Child Reunion,' or '50 Ways To Leave Your Lover.' They didn't sound like what the hits sounded like at the time. Radio was more open to things that weren't exactly what every other hit was.
There will always be economic pressure to make hits, identify hits, and then exploit hits. And you're going to exploit them with as many episodes as you probably can.
Sometimes love is a surprise, an instant of recognition, a sudden gift at a sudden moment that makes everything different from then on. Some people will say that's not love, that you can't really love someone you don't know. But, I'm not so sure. Love doesn't seem to follow a plan; it's not a series of steps. It can hit with the force of nature--an earthquake, a tidal wave, a storm of wild relentless energy that is beyond your simple attempts at control.
Usually I'll drive to certain locations over and over again, over a course of months really. And then it might just be I hit it at the right time, and the right light. And then I might go to that location over and over again, and then what happens in that lag time where - the image sort of locks in - all of a sudden I see it in my mind's eye.
I would be lying to you if I said I wouldn't love for it [Equalizer] to become a franchise, I would love for it to become a hit and all that great stuff. Who knows-you just make the best movie you can make, you know it's like, eat the whole thing, one piece at a time. And then, we'll see what happens, I would love for it to be.
I'm not one of those artists who refuses to play their hits. I find that ridiculous. Hits are a blessing.
There is always pressure. If you make a flop film then you are under pressure to make a hit film. If you make a hit film then you are under pressure to surpass your own standard or at least deliver another hit because the audience also has expectations.
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