A Quote by Leo Tolstoy

To speak of it would be giving importance to that which has none. — © Leo Tolstoy
To speak of it would be giving importance to that which has none.
I am aware of the technical distinction between ‘less’ and ‘fewer’, and between ‘uninterested’ and ‘disinterested’ and ‘infer’ and ‘imply’, but none of these are of importance to me. ‘None of these are of importance,’ I wrote there, you’ll notice – the old pedantic me would have insisted on “none of them is of importance”. Well I’m glad to say I’ve outgrown that silly approach to language
(The short story) is a form that has all the power of the novel - some would say more - but none of the self-importance.
The most important practical lesson that can be given to nurses is to teach them what to observe - how to observe - what symptoms indicate improvement - what the reverse - which are of importance - which are of none - which are the evidence of neglect - and of what kind of neglect.
I honor my importance and the importance of others. None of us is dispensable, none of us is replacable. In the chorus of life each of us brings a True Note, a perfect pitch that adds to the harmony of the whole. I act creatively and consciously to actively endorse and encourage the expansion of those whose lives I touch. Believing in the goodness of each, I add to the goodness of all. We bless each other even in passing.
The fact would seem to be, if in my situation one may speak of facts, not only that I shall have to speak of things of which I cannot speak, but also, which is even more interesting, but also that I, which is if possible even more interesting, that I shall have to, I forget, no matter. And at the same time I am obliged to speak. I shall never be silent. Never.
When I go to Colombia or Mexico, I speak Spanish. When I go to Italy, I speak Italian. When I'm in Germany, I speak German. Would I expect them to speak English in these countries? No. I mean, great if they do, but no. Would I be offended if in Spain they say we speak Spanish? No. If I was an immigrant there, no.
You cannot compare your athletic achievement to the importance of children and giving them a safe environment in which to grow up and enjoy life.
Of all the questions which can come before this nation, short of the actual preservation of its existence in a great war, there is none which compares in importance with the great central task of leaving this land even a better land for our descendants than it is for us.
I would rather speak the truth to ten men than blandishments and lying to a million. Try it, ye who think there is nothing in it! Try what it is to speak with God behind you, to speak so as to be only the arrow in the bow which the Almighty draws.
The Potemkin city of which I wish to speak here is none other than our dear Vienna herself.
I learned early on that one of the secrets of campus leadership was the simplest thing of all: speak to people coming down the sidewalk before they speak to you. I would always look ahead and speak to the person coming toward me. If I knew them I would call them by name, but even if I didn't I would still speak to them.
In the court of the movie Owner, none criticized, none doubted. And none dared speak of art. In the Owner's mind art was a synonym for bankruptcy. The movie Owners are the only troupe in the history of entertainment that has never been seduced by the adventure of the entertainment world.
I would not minimize the digital divide, which separates the computerized world from the rest, nor would I underestimate the importance of traditional books.
One can rightly speak of an evolution in plastic art. It is of the greatest importance to note this fact, for it reveals the true way of art - the only path along which we can advance.
The keynote of American civilization is a sort of warm-hearted vulgarity. The Americans have none of the irony of the English, none of their cool poise, none of their manner. But they do have friendliness. Where an Englishman would give you his card, an American would very likely give you his shirt.
We recognize in a plant some unknown power, a single, form-giving force, which creates and conserves, which moves unwaveringly toward its end, which appropriates what is useful to it and rejects that which would harm it.
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