A Quote by Leo Tolstoy
There lay between them, separating them, that same terrible line of the unknown and of fear, like the line separating the living from the dead.
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I don't think you can hate anything that you know intimately. There is no fine line separating love from hate because there's a deep chasm separating love from hate.
I am a fan of overdoing something, but not running it into the ground. They are complete opposites with only a fine line separating them.
Most countries want to bring their people together and tear down physical, commercial and cultural barriers. Anyone who proposes separating them is out of line.
The line separating good and evil passes not through states, nor between classes, nor between political parties either - but right through every human heart - and through all human hearts. This line shifts. Inside us, it oscillates with the years. And even within hearts overwhelmed by evil, one small bridgehead of good is retained.
Gradually it was disclosed to me that the line separating good and evil passes not through states, nor between classes, nor between political parties either - but right through every human heart...
It was only when I lay there on the rotting prison straw that I sensed within myself the first stirrings of good. Gradually it was disclosed to me that the line separating good and evil passes not between states nor between social classes nor between political parties, but right through every human heart, through all human hearts. And that is why I turn back to the years of my imprisonment and say, sometimes to the astonishment of those about me, bless you, prison, for having been a part of my life.
We all like to think that the line between good and evil is impermeable--that people who do terrible things, such as commit murder, treason, or kidnapping, are on the evil side of this line, and the rest of us could never cross it. But the Stanford Prison Experiment and the Milgram studies revealed the permeability of that line. Some people are on the good side only because situations have never coerced or seduced them to cross over.
Boundary, n. In political geography, an imaginary line between two nations, separating the imaginary rights of one from the imaginary rights of another.
The thing that's depressing is teaching graduate students today and discovering that they don't know simple elemental facts of grammar. They really do not know how to scan a line; they've never been taught to scan a line. Many of them don't know the difference between 'lie' and 'lay,' let alone 'its' and 'it's.' And they're in graduate school!
I feel an obligation to those people who are willing to go lay their lives on the line. These are the same people that when we call on them, and we 100 percent agree as a country ... in our lifetime there's gonna be an event take place ... just like when 9/11 happened, everybody wanted to bring them to justice. When we called on the troops, they went in.
I've got evil in me as much as anyone, some desires that scare me. Even if I don't give in to them, just having them scares the living bejesus out of me sometimes. I'm no saint, the way you kid about. But I've always walked the line, walked that goddamned line. It's a mean mother of a line, straight and narrow, sharp as a razor, cuts right into you when you walk it long enough. You're always bleeding on that line, and sometimes you wonder why you don't just step off and walk in the cool grass.
We like to be punks. We like to still be kind of edgy and if being edgy means you might teeter on that line of being inappropriate, I'm still willing to teeter on that line, even at my age. But some of them go over that line and you've gotta draw that line somewhere.
I never accepted why there should be some invisible, wavy cutoff line separating Great Fiction from phosphorescent beauties and dollhouse miniatures, novels that contain a whole world in a snow globe.
Fans are my favorite thing in the world. I've never been the type of artist who has that line drawn between their friends and their fans. The line's always been really blurred for me. I'll hang out with them after the show. I'll hang out with them before the show. If I see them in the mall, I'll stand there and talk to them for 10 minutes.
In my dreams and visions, I seemed to see a line, and on the other side of that line were green fields, and lovely flowers, and beautiful white ladies, who stretched out their arms to me over the line, but I couldn't reach them no-how. I always fell before I got to the line.
There is a fine line I have to walk throughout the writing process in a novel. It is this line between drama and melodrama, and it is this line between evoking genuine emotional power and being manipulative.
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