A Quote by Leo Tolstoy

Konstantin Levin did not like talking and hearing about the beauty of nature. Words for him took away the beauty of what he saw. — © Leo Tolstoy
Konstantin Levin did not like talking and hearing about the beauty of nature. Words for him took away the beauty of what he saw.
Beauty addresses itself chiefly to sight, but there is a beauty for the hearing too, as in certain combinations so words and in all kinds of music; for melodies and cadences are beautiful; and minds that lift themselves above the realm of sense to a higher order are aware of beauty in the conduct of life, in actions, in character, in the pursuits of the intellect; and there is the beauty of the virtues.
Unless we look at a person and see the beauty there is in this person, we can contribute nothing to him. One does not help a person by discerning what is wrong, what is ugly, what is distorted. Christ looked at everyone he met, at the prostitute, at the thief, and saw the beauty hidden there. Perhaps it was distorted, perhaps damaged, but it was beauty none the less, and what he did was to call out this beauty.
I always hear myself saying, 'She's a beauty!' or 'He's a beauty!' or 'What a beauty!' but I never know what I'm talking about.
I always hear myself saying , 'She's a beauty!' or 'He's a beauty!' or 'What a beauty!' but I never know what I'm talking about.
I saw sensuality as sacred, indeed the only sacredness, I saw woman and her beauty as divine since her calling is the most important task of existence: the propagation of the species. I saw woman as the personification of nature, as Isis, and man as her priest, her slave; and I pictured her treating him as cruelly as Nature, who, when she no longer needs something that has served her, tosses it away, while her abuses, indeed her killing it, are its lascivious bliss.
Indeed, beauty is one of mankind's greatest needs; it is the root from which the branches of our peace and the fruits of our hope come forth. Beauty also reveals God because, like him, a work of beauty is pure gratuity; it calls us to freedom and draws us away from selfishness.
To those who do not know mathematics it is difficult to get across a real feeling as to the beauty, the deepest beauty, of nature ... If you want to learn about nature, to appreciate nature, it is necessary to understand the language that she speaks in.
It is cruel, you know, that music should be so beautiful. It has the beauty of loneliness of pain: of strength and freedom. The beauty of disappointment and never-satisfied love. The cruel beauty of nature and everlasting beauty of monotony.
We desire to possess a beauty that is worth pursuing, worth fighting for, a beauty that is core to who we truly are. We want beauty that can be seen; beauty that can be felt; beauty that affects others; a beauty all our own to unveil.
They sang the words in unison, yet somehow created a web of sounds with their voices. It was like hearing a piece of fabric woven with all the colors of a rainbow. I did not know that such beauty could be formed by the human mouth. I had never heard harmony before.
Whenever I talk about the Bahamas and its beauty, I could never stop talking about my God, who has given us all of this beauty.
Happily there exists more than one kind of beauty. There is the beauty of infancy, the beauty of youth, the beauty of maturity, and, believe me, ladies and gentlemen, the beauty of age.
Beauty saves. Beauty heals. Beauty motivates. Beauty unites. Beauty returns us to our origins, and here lies the ultimate act of saving, of healing, of overcoming dualism.
Since hearing beauty in something is essentially a positive response and hearing ugliness is negative, might it ultimately be more difficult for an open-minded listener to define ugliness than it is to define beauty?
I think Whitman more than any other poet possessed the gift of revealing to others the beauty of everything around us, the beauty of nature, the beauty of human beings.
Nobody who comes out of the movie [Aquarius] focuses on those [sexual] scenes, because they are not the heart of the film. They are a consequence of the story, but I don't remember hearing audiences talking about them afterward. They came out discussing themes of resistance, history and memory. They're talking about the beauty of the self and how it can become demolished.
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