A Quote by Leo Tolstoy
Beautiful as seemed mama's face, it became more lovely when she smiled and seemed to enliven everything about her.
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I liked it. I liked her. And every time I saw her, she seemed more beautiful. She just seemed to glow. I'm not talking like a hundred-watt bulb; she just had this warmth to her. Maybe it came from climbing that tree. Maybe it came from singing to chickens. Maybe it came from whacking at two-by-fours and dreaming about perpetual motion. I don't know. All I know is that compared to her, Shelly and Miranda seemed so...ordinary.
My Mama Moved Among the Days My Mama moved among the days like a dreamwalker in a field; seemed like what she touched was here seemed like what touched her couldn't hold, she got us almost through the high grass then seemed like she turned around and ran right back in right back on in
When she took her opposite place in the carriage corner, the brightness in her face was so charming to behold, that on her exclaiming, "What beautiful stars and what a glorious night!" the Secretary said "Yes," but seemed to prefer to see the night and the stars in the light of her lovely little countenance, to looking out of window.
For a moment she turned in a circle, staring at her hands, which she held high and useless, close to her breast. She bobbed and shambled like an ape doing a trick, and her face was the silly, bewildered face of a joker's victim. And yet she could make no move that was not beautiful. Her trapped terror was more lovely than any joy that Molly had ever seen, and that was the most terrible thing about it.
He saw things in a way that others did not, so that a city I had lived in all my life seemed a different place, so that a woman became beautiful with the light on her face.
She was the first person on either side of her family to go to college, and she held herself to insanely high standards. She worried a lot about whether she was good enough. It was surprising to see how relieved she seemed whenever I told her how amazing she was. I wanted her to feel strong and free. She was beautiful when she was free.
I found myself staring at her, which was stupid since I'd seen her a billion times. Still, she seemed so much more mature. It was kind of intimidating. I mean, sure, she'd always been cute, but she was starting to be seriously beautiful.
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
Try as i do, i can't recall her surname. Indeed, her very abstractedness and insubstantial personality seemed to say 'forget me'; she seemed to live in parenthesis.
But even in her laughter there was something missing. She never seemed to be truly happy; she just seemed to be passing time while she waited for something else. She was tired of just existing; she wanted to live.
of all the unusual features of Stargirl, this struck me as the most remarkable. Bad things did not stick to her. Correction: her bad things did not stick to her. If we were hurt, if we were unhappy or otherwise victimized by life, she seemed to know about it, and to care, as soon as we did. But bad things falling on her -- unkind words, nasty stares, foot blisters -- she seemed unaware of. I never saw her look in a mirror, never heard her complain. All of her feelings, all of her attentions flowed outward. She had no ego.
Yet, when we talked, when we were together, she seemed so familiar. Seemed to know who I was, where I was coming from. She knew me better than I knew myself, I think. She was easy to be with. And I wanted to be with her, like all the time.
Her form, though not so correct as her sister's, in having the advantage of height, was more striking; and her face was so lovely, that when in the common cant of praise she was called a beautiful girl, truth was less violently outraged than usually happens.
The woman turned and went slowly into the house. As she passed the doors she turned and looked back. Grave and thoughtful was her glance, as she looked on the king with cool pity in here eyes. Very fair was her face, and her long hair was like a river of gold. Slender and tall she was in her white robe girt with silver; but strong she seemed and stern as steel, a daughter of kings.
She realized with deep respect that this woman had always done what she had to do and faced what she had to face. If many of her fears and burdens would have seemed unreal to another woman, there was nothing unreal about her courage.
So she had to satisfy herself with the idea of love - loving the loving of things whose existence she didn't care at all about. Love itself became the object of her love. She loved herself in love, she loved loving love, as love loves loving, and was able, in that way, to reconcile herself with a world that fell so short of what she would have hoped for. It was not the world that was the great and saving lie, but her willingness to make it beautiful and fair, to live a once-removed life, in a world once-removed from the one in which everyone else seemed to exist.
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