A Quote by Leo Tolstoy
the very fact of the death of someone close to them aroused in all who heard about it, as always, a feeling of delight that he had died and they hadn't.
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I -- I alone know how to mourn for him as he deserves.' But while we were still shaking hands, such a look of awful desolation came upon her face that I perceived she was one of those creatures that are not the playthings of Time. For her he had died only yesterday. And, by Jove! the impression was so powerful that for me, too, he seemed to have died only yesterday -- nay, this very minute. I saw her and him in the same instant of time -- his death and her sorrow -- I saw her sorrow in the very moment of his death. Do you understand? I saw them together -- I heard them together.
It is a fact that the Lord Jesus has already died for you. It is also a fact that you have already died with the Lord Jesus. If you do not believe in your death with Christ, you will not be able to receive the effectiveness of death with Him - freedom from sin.
How often the priest had heard the same confession--Man was so limited: he hadn't even the ingenuity to invent a new vice: the animals knew as much. It was for this world that Christ had died: the more evil you saw and heard about you, the greater the glory lay around the death; it was too easy to die for what was good or beautiful, for home or children or civilization--it needed a God to die for the half-hearted and the corrupt.
So here is one of my theories on happiness: we cannot know if we have lived a truly happy life until the very end. This view of life and death was reinforced by my close witnessing of the buildup to the death of Philip Gould. Philip was without doubt my closest friend in politics. When he died, I felt like I had lost a limb.
Being someone who had had a very difficult childhood, a very difficult adolescence - it had to do with not quite poverty, but close. It had to do with being brought up in a family where no one spoke English, no one could read or write English. It had to do with death and disease and lots of other things. I was a little prone to depression.
I've come close to matching the feeling of that night in 1944 in music, when I first heard Diz and Bird, but I've never got there. . . . I'm always looking for it, listening and feeling for it, though, trying to always feel it in and through the music I play everyday.
I have several close friends who are insomniacs. Over the years, I've heard their stories about being up in the middle of the night, completely awake. I see them yawn at 11 A.M. and know that, regardless of what they are doing, they'd probably rather be in bed sleeping. I've always had sympathy for them, but I've never really understood it.
My father had several strokes and heart attacks. I was with him when he died, and it was a horrible death. He had been a very articulate man, and to lose that, never to be able to speak properly and to be unable to move - he had always been a very vigorous man, so to be in a wheelchair and mumbling - was terrible.
It was only after I had been out of the art school that I actually copied a small Seurat, and I copied it in order to follow his thought, because if you do copy an artist, and you have a close feeling for him, in fact that you need to know more about his work, there is no better way than actually to copy, because you get very close indeed to how somebody thinks.
My poverty taught me a lot. If someone dies, I cannot cry as I have seen so much hardship and death. I went to shoot even the day my dad had died. Death is reality.
A death-blow is a life-blow to some Who, till they died, did not alive become; Who, had they lived, had died, but when They died, vitality begun.
I've always enjoyed that kind of thing - thinking about the production of narrative and why it is that when we read a novel, we don't notice the fact that someone who might be very close-mouthed or tight-lipped is perfectly willing to tell us a story in 600 or 700 pages.
Since PTSD is being exposed to death and the death of someone close, I felt really close to [the soldiers].
It is a very vulnerable feeling to lose something very close to your heart or someone very dear to you.
The fact that I'm very close with my past relationships is something I pride myself on. My mom is still close to her first husband. It's nice to be able to enjoy someone in a different form.
I'm so language-based and I'm so about communicating, and my art has always been very audience-based, and very about being functional and communicating something, and about feeling like I have to be heard.
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