A Quote by Leon Askin

Directors and producers were afraid of a Dumont actor while at the same time they admired him. — © Leon Askin
Directors and producers were afraid of a Dumont actor while at the same time they admired him.
A Dumont actor was considered to be too stilted - the way we Dumont actors used to speak.
I think the kind of togetherness and understanding between music directors and singers, and between producers and directors, is not the same anymore. Now, it's all too professional.
To be a Dumont actor was considered to be a great honor for an actor, yet it also had its disadvantages.
As an actor, you're in the hands of producers and directors. It's important to find out who you're working with.
I work with a bunch of producers on every album, but the difference for 'Evolver' was that I couldn't get any time with Kanye. I forget what he was doing at the time, but he was all over the place. We were never at the same city at the same time.
I don't feel that I was often compartmentalized as an African-American actor, yet I am fully aware of the plight that actors, directors and producers of color face in our industry. I choose to focus on being proactive in creating opportunities for myself and others while acknowledging that we are not playing on a level playing field.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
I practiced law for 10 years, and I always admired the lawyers who were not afraid to take unpopular cases. And I never had the guts to do that. I was playing it safe. I was trying to make a living. And I just never volunteered for a really tough case, and there were some of them I should've taken. And I admired the lawyers who did.
Nic [Cage] is more than just a fantastic actor. He will get your movie made. The first thing that we did is that we went to producers and there were a lot of great producers.
Clark Gregg and I are around the same age. He has been an actor and is a writer. But with a first-time director, there is a way to talk about things they might not know. Because Clark was an actor, though, he knew more about the process than most first-time directors.
It was one of the great chances in my life to become a Dumont actor.
I like to think of myself as a fairly educated human being, but I'm a very uneducated actor when it comes to movies, directors, producers, actors for that matter.
This nation was built by men who took risks-pioneers who were not afraid of the wilderness, businessmen who were not afraid of failure, scientists who were not afraid of the truth, thinkers who were not afraid of progress, dreamers who were not afraid of action.
So, it's a delicate thing, but at the same time our producers and writers are very much aware of the potential downfall that could ensue so I think they're going to be very careful about how they do that. At the same time I don't think they want to leave the characters in the same holding pattern that they've been in for a while. I think that they're all trying to put the characters in a different situation.
Producers and directors think they have the power, but what they think of as the weakest link, the actor, is all-powerful.
Everybody's trying to hold onto some shred of dignity in the process of it all, and, at the same time, never talking about how they don't have the power. No one has the power. So, you know, producers - we always think, "Well, producers are very powerful," but producers don't really have the power.
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