A Quote by Leon Krier
For architecture, nature provides only indications and analogies, not models to imitate.
Related Quotes
We've been fighting from the beginning for organic architecture. That is, architecture where the whole is to the part as the part is to the whole, and where the nature of materials, the nature of the purpose, the nature of the entire performance becomes a necessity-architecture of democracy.
When we come to understand architecture as the essential nature of all harmonious structure we will see that it is the architecture of music that inspired Bach and Beethoven, the architecture of painting that is inspiring Picasso as it inspired Velasquez, that it is the architecture of life itself that is the inspiration of the great poets and philosophers.
Building becomes architecture only when the mind of man consciously takes it and tries with all his resources to make it beautiful, to put concordance, sympathy with nature, and all that into it. Then you have architecture.
Architecture is supposed to complete nature. Great architecture makes nature more beautiful-it gives it power.
The climate-studies people who work with models always tend to overestimate their models. They come to believe models are real and forget they are only models.
A mathematician is a person who can find analogies between theorems; a better mathematician is one who can see analogies between proofs and the best mathematician can notice analogies between theories.
Architecture is the constant fight between man and nature, the fight to overwhelm nature, to possess it. The first act of architecture is to put a stone on the ground. That act transforms a condition of nature into a condition of culture; it's a holy act.
One can imagine that the ultimate mathematician is one who can see analogies between analogies.
There is no ecological architecture, no intelligent architecture and no sustainable architecture - there is only good architecture. There are always problems we must not neglect. For example, energy, resources, costs, social aspects - one must always pay attention to all these.
Our Cosmic Habitat is certain to be widely quoted and widely read. It is beautifully written, using inspiring and stimulating analogies. While the book is intended for the nonscientist, it provides an accurate guide to the best current thinking about the nature and constitution of our universe. If I wanted to give a gift to a person I would like to become a close friend, this is the book I would choose.
Architecture is like a mythical fantastic. It has to be experienced. It can't be described. We can draw it up and we can make models of it, but it can only be experienced as a complete whole.
You could say that my aim is ‘to recover the place’. The place is a result of nature and time; this is the most important aspect. I think my architecture is some kind of frame of nature. With it, we can experience nature more deeply and more intimately. Transparency is a characteristic of Japanese architecture; I try to use light and natural materials to get a new kind of transparency.
Because of the nature of the profession of architecture, the art of architecture nourishes itself from other disciplines.
Good mathematicians see analogies. Great mathematicians see analogies between analogies.
Talent finds its models, methods, and ends in society, exists for exhibition, and goes to the soul only for power to work. Genius is its own end, and draws its means and the style of its architecture from within.
Art does not imitate nature, but founds itself on the study of nature, takes from nature the selections which best accord with its own intention, and then bestows on them that which nature does not possess, viz: The mind and soul of man.
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