A Quote by Leon Redbone

It can even be a single note which defines the entire song. — © Leon Redbone
It can even be a single note which defines the entire song.
Lately I've been falling asleep listening to 'Common One' by Van Morrison, specifically the song 'Summertime in England.' It's 15 minutes long, so to make it through the entire song is a real task unto itself, but Van has that emotional payoff that makes even his most tiresome songs more powerful than most people's entire catalog.
I can sing in my head and rearrange the tune of a song, note per note. I am a nerd.
Here's a little song I wrote. You might want to sing it note for note. Don't worry, be happy.
Our songs travel the earth. We sing to one another. Not a single note is ever lost and no song is original. They all come from the same place and go back to a time when only the stones howled.
Faith is precisely the paradox that the single individual as the single individual is higher than the universal, is justified before it, not as inferior to it but superior - yet in such a way, please note, that it is the single individual who, after being subordinate as the single individual to the universal, now by means of the universal becomes the single individual who as the single individual is superior, that the single individual as the single individual stands in an absolute relation to the absolute.
All my earlier awards were for a particular film or a song. Even the Oscar or the Grammy was for a particular song, but Dadasaheb Phalke is for my entire work so it is the biggest honor for me.
I've always wanted to title an album 'Illinois.' I wrote the song, which was a very special song to me. The song isn't exactly about being from there, even though I am.
One of the things that defines a country song for me is that it's honest. It's not putting on a tuxedo to go eat at the Burger King. It's about a song being emotionally true to itself.
I realized then that even though I was a tiny speck in an infinite cosmos, a blip on the timeline of eternity, I was not without purpose. And as long as I had a part in the music of the spheres, even if it was only a single grace note, I was not worthless. Nor was I alone.
Tintinnabulation is like this. Here I am alone with silence. I have discovered that it is enough when a single note is beautifully played. This note, or a silent beat, or a moment of silence comfort me.
In crowds we have unison, in groups harmony. We want the single voice but not the single note; that is the secret of the group.
I dreamed I was a single moment in a single day. A note struck and vanished. A sounding. A reckoning. Gone.
I know every note in every song, the whole history of it, even parts that were there and are gone.
I'm a huge Joe Nichols fan, and he put this song out an album called 'Real Things.' I was excited for Joe when I heard it, thinking 'that will easily be Joe Nichols' career song.' I was even more excited when they got out of that album and they never released it as a single, because then I was like, 'Now that's gonna be my career single.'
I always think of each night as a song. Or each moment as a song. But now I'm seeing we don't live in a single song. We move from song to song, from lyric to lyric, from chord to chord. There is no ending here. It's an infinite playlist.
I wrote 'Lights' a long, long time ago. And I expected it to be on the album, because it was - I wrote it with 'Biff' Stannard. And he wrote every single Spice Girls song and every single pop song of the 90s, basically. So I thought, you know, I was really lucky to work with him, but I didn't think it would be a big song for some reason.
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