A Quote by Leon Theremin
I conceived of an instrument that would create sound without using any mechanical energy, like the conductor of an orchestra. The orchestra plays mechanically, using mechanical energy; the conductor just moves his hands, and his movements have an effect on the music artistry.
Related Quotes
I think it's a very important collaboration between the conductor and the orchestra - especially when the conductor is one more member of the orchestra in the way that you are leading, but also respecting, feeling and building the same way for all the players to understand the music.
Before Liszt, a conductor was someone who just facilitated the performance, who would keep people together or beat the time, indicate the entries. After Liszt, that was no longer the case; a conductor was someone who shaped the music in an intense musical way, who played the orchestra as an instrument.
The orchestra confides in me about their music director or their conductor, and I've never seen a conductor that's been liked by everyone.
I always maintain that playing in an orchestra intelligently is the best school for democracy. If you play a solo, the conductor and everybody in the orchestra follows you. Then, a few bars later, the main voice goes to another instrument, another group, and then you have to go back into the collective [sound]. The art of playing in an orchestra is being able to express yourself to the maximum but always in relation to something else that is going on.
In speaking of the Energy of the field, however, I wish to be understood literally. All energy is the same as mechanical energy, whether it exists in the form of motion or in that of elasticity, or in any other form. The energy in electromagnetic phenomena is mechanical energy.
I'm a little less hungry as an actor than I used to be. When you're a director, you're the conductor of the orchestra, and when you're an actor, you're playing the violin. There's a thrill to each of them, but as the conductor, you get the fuller sound.
The conductor of an orchestra doesn’t make a sound. He depends, for his power, on his ability to make other people powerful.
Let me say that I've never thought to conduct because the conductor has to think to the music before the orchestra. And the orchestra comes later. For me, it's terrible.
You have a great result if the orchestra trusts the conductor, and the conductor trusts the orchestra.
The great myth is the manager as orchestra conductor. It's this idea of standing on a pedestal and you wave your baton and accounting comes in, and you wave it somewhere else and marketing chimes in with accounting, and they all sound very glorious. But management is more like orchestra conducting during rehearsals, when everything is going wrong.
What appeals to me about an American music directorship is the involvement of the conductor with the orchestra and the community. I think that's a fantastic thing. In Europe, being principal conductor means merely that you're the person who does most of the concerts. For me, that simply isn't enough.
The symphony orchestra had played poorly, so the conductor was in a bad mood. That night he beat his wife--because the music hadn't been beautiful enough.
The conductor is a peculiar person. He turns his back on his friends in the audience, shakes a stick at his players in the orchestra, and then wonders why nobody loves him.
I admire Tom Ades: he's a brilliant conductor, and he gets just the right hard, brilliant sound from the City of Birmingham Symphony Orchestra for Russian music.
There are two types of conductors. One is the good conductor who can do passionate music but also listen to the singers and do the orchestra. And then there are great conductors, who have their own opinion on the music, who are ruling everything - and not listening much to the singers, but the orchestra play amazingly.
I've kind of codified certain things for myself, rhythmic patterns and mechanical ways of using the bow to create layers of rhythm. What I'm trying to do is to create a complete piece of music on one instrument.
Related Authors
Alexander Graham Bell Quotes
Scottish
Inventor
Charles Kettering Quotes
American
Inventor
David Baszucki Quotes
American
Inventor
Dean Kamen Quotes
American
Inventor
Edwin Land Quotes
American
Inventor
Homaro Cantu Quotes
American
Inventor
Jacque Fresco Quotes
American
Inventor
Ken Hakuta Quotes
South Korean
Inventor
Mike Lindell Quotes
American
Inventor
Nikola Tesla Quotes
American
Inventor
R. Buckminster Fuller Quotes
American
Inventor
Ray Kurzweil Quotes
American
Inventor
Simone Giertz Quotes
Swedish
Inventor
Thomas A. Edison Quotes
American
Inventor
Tim Berners-Lee Quotes
English
Inventor
Tony Fadell Quotes
American
Inventor