A Quote by Leon Uris

In order to be a good writer, you've got to be a bad boss. Self-discipline and stamina are the two major arms in a writer's arsenal. — © Leon Uris
In order to be a good writer, you've got to be a bad boss. Self-discipline and stamina are the two major arms in a writer's arsenal.
Bucky Katt: A bad writer is just a good writer with writer's block.
For a writer, obsession is a good substitute for self-discipline.
I made a very good living as a bad writer. I wrote a lot of comedies, 'Diff'rent Strokes,' 'Facts of Life,' while all my friends were doing the good shows, like 'Cheers,' but I loved it because I got to be a working writer in Hollywood.
Good writers define reality; bad ones merely restate it. A good writer turns fact into truth; a bad writer will, more often than not, accomplish the opposite.
My abject hatred of actors and the acting world. I went to college as an actor, and halfway through, I switched to playwriting and directing. Then I spent a couple years working in publishing, doing some freelance journalism for The Village Voice and Musician magazine. I thought my life was going to be as a writer, but then I realized I missed performing, so I got into comedy. It was a nice combination of things I was sort of good at. I was a pretty good writer and a decent actor, but I didn't really like acting, and I didn't have the discipline to be a writer.
Tips can make someone a better writer but not necessarily a good writer. That's a larger package - a matter of character. Golfing is more than keeping the left arm straight. Every good golfer is a complex engine that runs on ability, ego, determination, discipline, patience, confidence, and other qualities that are self-taught. So it is with writers and all creative artists. If their values are solid their work is likely to be solid.
Intelligence alone can't make a good writer and style alone can't make a good writer - that is, not a really important or significant writer - but the two things together make a really good writer.
One of the most useful parts of my education as a writer was the practice of reading a writer straight through - every book the writer published, in chronological order, to see how the writer changed over time, and to see how the writer's idea of his or her project changed over time, and to see all the writer tried and accomplished or failed to accomplish.
The first is that good writing consists of mastering the fundamentals (vocabulary, grammar, the elements of style) and then filling the third level of your toolbox with the right instruments. The second is that while it is impossible to make a competent writer out of a bad writer, and while is equally impossible to make a great writer out of a good one, it is possible, with lots of hard work, dedication, and timely help, to make a good writer out of a merely competent one
If you are going to be a writer, you have to have self-belief, every writer gets rejections, they say the difference between a successful and unsuccessful writer is an unsuccessful writer gives up, if you keep going you will succeed.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
If we're honest, most of us would accept that a bad boss is a little bit like a bad father or a bad husband ... you find that he tends to do more good than harm. He might be a bad boss but at least he's employing someone while he is in fact a boss.
The only difference between a writer and someone who wants to be a writer is discipline.
I think the writer makes a good story good or a good story bad. The writer has a great deal of responsibility.
I haven't got a writer's discipline.
The writer who is literally an addict, the writer who can't help himself, the writer who HAS to write, can never be anything but an amateur, because the industry requires the professional to put writing on hold not just for a day or two, or a week, but for years.
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