A Quote by Leon Uris

Who here wants to be a writer?' I asked. Everyone in the room raised his hand. 'Why the hell aren't you home writing?' I said, and left the stage. — © Leon Uris
Who here wants to be a writer?' I asked. Everyone in the room raised his hand. 'Why the hell aren't you home writing?' I said, and left the stage.
Sinclair Lewis was asked one time to give a talk to class of students about writing. When he got there he asked the class, Do you people want to be writers?and they all said yes. Then Lewis said, Why the hell aren't you at home writing?
I remember teaching a clinic to other coaches, and a guy raised his hand and asked if I had any advice when it came to coaching women. I leveled him with a death-ray stare, and said, 'Go home and coach basketball.'
And quit baring your fangs at me. It's making me nervous." "Good," Simon said. "if you want to know why, it's because you smell like blood." "It's my cologne. Eau de Recent Injury." Jace raised his left hand.
In my freshman year of college, when a male professor asked the class, "Who here identifies as a feminist?" Only one girl raised her hand, and the rest of us just sat there. He basically just shamed us for the rest of the class?? - ??in a constructive way. He went around the room and said to each girl, "Why didn't you raise your hand? Feminism means men and women deserve the same rights, and that the balance in the world is currently tilted in men's favour.
We've had enough." He took back the report and jammed it under his arm. "We've had a bellyful, in fact." "And like everyone who's had enough," said Control as Alleline noisily left the room, "he wants more.
Any writer knows he has to pay for his compliments. As soon as he has said, Why, thank you, that's very generous of you, the other person clears his throat and dives into his own writing experiences.
As an actor you can always blame the director or writer for negative feedback. But as a writer, you're the reason why everyone's in the room.
I'm often asked why I left politics and went to Halliburton and I explain that I reached the point where I was mean-spirited, short-tempered and intolerant of those who disagreed with me and they said 'Hell, you'd make a great CEO', so I went to Texas and joined the private sector.
I once asked Axl why he left the 'E' off his name. He started crying and said he thought he'd spelled it right.
Once, during an interview in front of my wife, I was asked, "Are you one of those actors who brings your character home? Do you stay in character?" I said, "No, not really. I don't do that," and she started laughing. I asked her why. She said, "Well, you might think you don't bring characters home, but you do." So, while I don't feel like a character is lingering, it probably is.
Then I'm going?" Kendra asked. The adults in the room exchanged tacit glances before nodding. Then we only have one more problem left to discuss," Seth said. Everyone turned to him. How do I get invited
My first interaction with Gene was that after I auditioned I walked out of the room and then this big guy walks out with me, and he puts his hand on my shoulder and he says, 'You make my words sound better than they are.' And I said, 'Well, you must be the writer.' And he said 'I'm Gene Roddenberry.' And I had no idea who that was.
All right, everyone. Fess up. Who just shat in their pants? C'mon. Admit it." He raised his hand. I know I did and I'm wolf enough to own it." Jess ignored him. "Are you all right?" he asked Abigail. She was still a little too pale for his tastes. "I think I'm going to own Sasha's question. Definitely put me on your list.
Everyone knew in the 1950s why a girl from a nice family left home. The meaning of her theft of herself from her parents was clear to all - as well as what she'd be up to in that room of her own.
I was born left-handed, but I was made to use my other hand. When I was writing 'Famished Road,' which was very long, I got repetitive stress syndrome. My right wrist collapsed, so I started using my left hand. The prose I wrote with my left hand came out denser, so later on I had to change it.
Wo wei ni xie de,” he said, as he raised the violin to his left shoulder, tucking it under his chin. He had told her many violinists used a shoulder rest, but he did not: there was a slight mark on the side of his throat, like a permanent bruise, where the violin rested. “You — made something for me?” Tessa asked. “I wrote something for you,” he corrected, with a smile, and began to play.
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