A Quote by Leon Uris

I am very proud of this work because it is more about the meaning of the Easter Rising and its relationship to what this whole century has been about, people liberating themselves, freeing themselves.
Although human beings are incapable of talking about themselves with total honesty, it is much harder to avoid the truth while pretending to be other people. They often reveal much about themselves in a very straightforward way. I am certain that I did. There is nothing that says more about its creator than the work itself.
Why are CEO's who slash jobs so proud of themselves? Instead of bragging about 'cutting fat,' they ought to be getting up before their employees and saying, We did such a lousy job of planning and hiring that we have more people than work. And we are so broke and so dim-witted that we can't come up with any way to get more work. So our only solution is to send a lot of good people home. I am ashamed and I am sorry.
I am so proud of being a Paralympian because I think the Games are a very good platform for disabled persons to perform themselves. Within the Paralympics movement, it's not just talk about excellence; it's not just talk about the competition. It's also talk about the equality and how your world accepts those disabled people.
That's always been my approach, to expose what's going on and what's not being said. I could go the selfish route, and probably make a whole lot more money, but that's not what it's about, it's about speaking for people who can't speak for themselves.
I've always wanted people to feel great about themselves, for people to know how special they are and really love themselves and accept themselves and celebrate themselves.
It seems that it is impossible to live without discovering the purpose of your life. And the first thing which a person should do is to understand the meaning of life. But the majority of people who consider themselves to be educated are proud that they have reached such great height that they cease to care about the meaning of existence.
It's incredible when women tell me that they've read things that I've said or have been inspired by things that I've done. To hear them say that because of something I did, they felt more positive about themselves and or had more of a voice to stand up for things that were right. It's been empowering for me to be able to help other women feel that way about themselves.
I'm incredibly proud to have been nominated in the past and it really means a lot to me because I do work very hard when I'm making a film and I do really do absolutely give my all. To get that kind of pat on the back, it's really amazing and also never something that I anticipated would possibly happen to me, ever. So I am very, very proud to have been there before. And, you know, the nice thing about nominations is that, same as awards, no one can actually take them away from you and I'm proud of that.
I understand all the work to be of a nonabstract nature regardless of the style, form, or explicit subject matter because all the work... is concerned with evoking experiences that are in themselves - and their relationship to you, the viewer - the ultimate subject and content of the work. I want to equate the experience of the work with its meaning.
Moore's Law is really a thing about human activity, it's about vision, it's about what you're allowed to believe. Because people are really limited by their beliefs, they limit themselves by what they allow themselves to believe about what is possible.
There has always been a confusion in the West about -Islam and about the Middle East and the assumption that the countries are Arab. Iranians very much object to that. They are very proud of their own history, but they have this real inferiority-superiority complex thing about the Arabs and the position of Islam in Iran. One of the reasons why Shi'a Islam is so entrenched in Iran is because it has allowed the Iranians to distinguish themselves from the Arabs, who are mostly Sunni.
If it was all about me, I'd do a whole lot of pop records, make a whole lot of money, just rake in the dough. But it's never been all about me. It's all about being a voice for the voiceless. People who can't speak for themselves, who don't have a mic, don't have a say.
I am proud to be the granddaughter and daughter of immigrants who were brave enough to leave their homes and come to a whole new world with a different language and culture and immerse themselves fearlessly to start a better life for themselves and their families.
Writers kid themselves-about themselves and other people. Take the talk about writing methods. Writing is just work-there's no secret. If you dictate or use a pen or type with your toes-it is just work.
People talk about books that write themselves, and it's a lie. Books don't write themselves. It takes thought and research and backache and notes and more time and more work than you'd believe.
As to the "traditional filler of twenty-first century realist fiction," maybe that is something I avoid. I don't relate to standard psychologizing in novels. I don't really believe that the backstory is the story you need. And I don't believe it's more like life to get it - the buildup of "character" through psychological and family history, the whole idea of "knowing what the character wants." People in real life so often do not know what they want. People trick themselves, lie to themselves, fool themselves. It's called survival, and self-mythology.
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