A Quote by Leonard Cohen

I will not be held like a drunkard / under the cold tap of facts — © Leonard Cohen
I will not be held like a drunkard / under the cold tap of facts
Even without the mushroom cloud still I would have hated Listen I would have done the same things even if there were no death I will not be held like a drunkard under the cold tap of facts I refuse the universal alibi
I'm no alcoholic. I'm a drunkard. There's a difference. A drunkard doesn't like to go to meetings.
Tap into people's emotions. We've all been put to sleep by a speaker who just gives the facts. You must tap into people's feelings.
You can't debunk memes with facts. It's like bringing tap-shoes to a gunfight.
Facts are simple and facts are straight. Facts are lazy and facts are late. Facts all come with points of view. Facts don't do what I want them to. Facts just twist the truth around. Facts are living turned inside out.
I grew up watching Gregory Hines banging out rhythms like drum beats, and Jimmy Slyde dancing these melodies, you know, bop-bah-be-do-bap, not just tap-tap-tap. Everyone else was dancing in monotone, but I could hear the hoofers in stereo, and they influenced me to have this musical approach towards tap.
Of all men the drunkard is the foulest. The thief when he is not stealing is like another. The extortioner does not practice in the home. The murderer when he is at home can wash his hands. But the drunkard stinks and vomits in this own bed and dissolves his organs in alcohol.
An application of judicial power that does not rest on facts is worse than mindless, it is inherently dangerous. If its deployment does not rest on facts - cold, hard, solid facts, established either by admissions or by trials - it serves no lawful or moral purpose and is simply an engine of oppression.
The sound of tap is not 'clickety clickety tap tap,' this monotone thing. The sound of tap has depth. We want you to hear the different highs and lows, the bass, the trebles and the melodies, if you can.
I'm a tap dancer. Once you're a tap dancer, you're always a tap dancer. In 'After Midnight,' I get to dance, but I don't do a full tap number.
I was in New York last Christmas - it's snowing; there's a guy in a t-shirt. I'm like, 'Dude, aren't you cold?' 'No, I'm from New York. I don't get cold.' Just 'cause you're from a cold place doesn't mean you're genetically predisposed to not feeling cold. You're not a penguin. I was like, 'In fact, sir, you're Puerto Rican, so if anything, you should be more cold.
When I get a cold sore, I put Carmex on it, because Carmex is supposed to alleviate cold sores. I don't know if it does help, but it will make them more shiny and noticeable. It's like cold-sore-highlighter. Maybe they could come up with an arrow that heals cold sores.
It's all about you, Colie." She touched one finger to her temple, tap tap tap. "Believe in yourself up here and it will make you stronger than you could ever imagine." There is something infectious about confidence. And for that one moment, with my eyebrows burning and my eyes watering, I believed. "And good hair never hurt either.
[The scientist] believes passionately in facts, in measured facts. He believes there are no bad facts, that all facts are good facts, though they may be facts about bad things, and his intellectual satisfaction can come only from the acquisition of accurately known facts, from their organization into a body of knowledge, in which the inter-relationship of the measured facts is the dominant consideration.
Let us, rather, gather facts, all the facts, regardless of aesthetic appeal or theoretical social worth, and spread those facts before us not as the soothsayer spreads the innards of a turkey but as a newspaper spreads its columns. Let us be journalists, then. And like all good journalists, we shall present our facts in an order that will satisfy the famous five W's: wow, whoopee, wahoo, why-not and whew.
Tap's foundation is jazz, just like hip-hop, so relating tap-dancing to rap is natural for me.
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