A Quote by Leonard Cohen

Adam [Cohen] is a great singer-songwriter in his own right. — © Leonard Cohen
Adam [Cohen] is a great singer-songwriter in his own right.
Michael Jackson is an underappreciated songwriter and an underappreciated singer. I think the world only gives him the most recognition for his dancing. He was an awesome singer and an amazing songwriter.
To have [Adam's Cohen] microscopic attention to my work was really a great privilege.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer, songwriter, or find a singer to develop.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer/songwriter, or find a singer to develop.
Anyway, in my performance style, I'm a singer-songwriter. People can call it neo-soul or R&B or whatever. But at the core, when you see me live, I'm a singer-songwriter.
Adam Ezra writes with the heart of a troubadour and sings like a rock star. He is truely a fresh voice in singer/songwriter scene.
That is what diminishes the artist and his song. The artist is now hermetically sealed. The publishing company got him his deal and they expect to profit from his songs. So what if he is a better singer than a songwriter; let's put him in a room with a real songwriter. Something great is bound to come...except very often nothing great comes out of such contrived match-ups. Nobody knows where a great song comes from, and that's why so many writers credit the Lord as a co-writer (though I notice they never offer Him half the writer's royalties) when they come up with a real gem.
Bob Dylan is quite a songwriter, and a great singer and musician. I won't bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.
I think I come under the singer/songwriter badge. I've always written songs right from the very beginning. Because of my style of playing people tend of me more of a guitar player than a singer sometimes.
Very unique: I was a singer-songwriter-guitarist. Very unusual in the late Seventies to find a singer-songwriter, and on top of that, a guitarist.
I love it when people refer to me as a singer-songwriter. I get flutters in my stomach because they say, 'This is Grace VanderWaal, singer-songwriter,' not, 'This is Grace VanderWaal, winner of 'America's Got Talent.'' I'm so proud of that; it's such a big chapter of my life. But it's nice to kind of not be known as just that.
I didn't want to be the crippled songwriter or the crippled singer. I wanted to be the singer or the songwriter who was crippled. I wanted to be larger than life and a man among men.
I am neither such a great songwriter or such a great singer that the world must hear my album. There's just no point to make.
The greatness of Mac Rebennack, alias, Dr. John, also known as John Crieux, rests on his command of the musical use of idiomatic expression. Not a technically well-endowed singer, nor a great songwriter, he leaves his mark through the discipline and control he exerts over all that he touches.
In Utero is a testament to the artistic vision of Kurt Cobain. It's kind of a weird record, and it's strangely beautiful at the same time. And if you look at Kurt's paintings and his drawings - he even did a sculpture for me - it's a rising, tortured-spirit person. It's kind of weird. It's done well, but it's like what Dave was saying about having your own sound. Kurt was a great songwriter. He knew he had a good ear for a hook [and was] a great singer, great guitar player, and In Utero is a good representation of what he liked in art and how he expressed himself.
What Autotune allows is for people like myself and Kanye West not to depend on the singer. Back in the Fifties, the songwriter was rendered invisible. Now the songwriter is there in the forefront.
This site uses cookies to ensure you get the best experience. More info...
Got it!