A Quote by Leonard Cohen

I don't think you can write novels on the road. You need a certain stability. — © Leonard Cohen
I don't think you can write novels on the road. You need a certain stability.
I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
I write the novels that are possible for me to write, not that ones I think will come across in a certain light.
I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
I think the issue will come up after the election of the new Tory leader. They may well decide to call an election. What the British people need now is stability. Stability to retain their jobs, stability to protect those working conditions, and we need a plan from this government now on how they're going to approach the negotiations for leaving the European Union before they invoke Article 50.
In the end I write the novels I need to write when I need to write them.
I can't imagine otherwise - I guess Virginia Woolf could write wonderful novels where the women never have sex, and her novels work. But for me, I don't think I could write a plot without sex happening somewhere.
I think you can judge from somebody's actions a kind of a stability and sense of purpose perhaps created by strong religious roots. I mean, there's a certain patience, a certain discipline, I think, that religion helps you achieve.
I love writing novels, but I'm very fearful about writing something from absolute scratch. I kind of don't have the time to write something from scratch. I think when my knees completely give out, and I can't make films anymore, I would try to write novels from scratch.
The idea of the writer who writes nineteen novels, with various ups and downs and levels of experimentation, isn't around so much now. There's a focus, I think, on fewer books, with more pressure on each book to succeed. With that there comes, I think, a certain pressure towards shapeliness in fiction. Towards neatness. And I think writers feel that, and it can effect how they write.
I've always been pretty levelheaded. In show business, you need to have a certain internal stability.
I've always been pretty levelheaded. In show business you need to have a certain internal stability.
Now you mustn't think that I don't have any ideas for novels in my head. I've got ideas for ten novels in my head. But with every idea I have, I already foresee the wrong novels I would write, because I also have critical ideas in my head; I've got a full theory of the perfect novel, and that's what stumps me.
I wrote my first two long novels and an anthology of short narratives, when I was a manager of my own jazz bar. There was not enough time to write and I didn't know how to write novels. Therefore, I made written collages of aphorisms and rags.
Down the road a bit, I would like to write a couple of stand-alone adult novels, especially in the horror genre. I've got lots of things up my sleeve.
Novels need readers of a certain kind, people who are patient and enjoy immersing themselves in another perspective for uninterrupted stretches of time. Reading habits might well be changing. People who pay for novels might overlap significantly with those who engage in Twitter and Facebook.
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