A Quote by Leonard Feather

Billie Holiday's voice was the voice of living intensity of soul in the true sense of that greatly abused word. — © Leonard Feather
Billie Holiday's voice was the voice of living intensity of soul in the true sense of that greatly abused word.
I was trying to do Billie Holiday, because she was the voice to be heard at that time.
I've heard fate talked of. It's not a word I use. I think we make our own choices. I think how we live our lives is our own doing, and we cannot fully hope on dreams and stars. But dreams and stars can guide us, perhaps. And the heart's voice is a strong one. Always is. Your heart's voice is your true voice. It is easy to ignore it, for sometimes it says what we'd rather it did not - and it is so hard to risk the things we have. But what life are we living, if we don't live by our hearts? Not a true one. And the person living it is not the true you.
My vocal influences are a lot of jazz singers: Billie Holiday, Julie London, they had this tenderness to their voice.
The artist, and particularly the poet, is always an anarchist in the best sense of the word. He must heed only the call that arises within him from three strong voices: the voice of death, with all its foreboding, the voice of love and the voice of art.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
I really like Billie Holiday's husky voice, and I'd definitely like to find out more about her.
What really brought out the voice that I have, my soul voice and true voice, was really not getting any work and being very sad and being poor and having to sit with that. I think that's where the blues comes from.
I recognize that my voice is kind of quirky, and I don't have a lot of range. But I use it kind of in a conversational way, like Billie Holiday, I guess.
The first time I heard a Billie Holiday record, I thought, 'What's so great about Billie Holiday?'
We cannot have peace on Earth until we learn to speak with one voice. That voice must be the voice of reason, the voice of compassion, the voice of love. It is the voice of divinity within us.
Music is the voice of the soul and can move mountains. People receive the message of the soul through the voice. It is a voice, the tone that moves something in people.
I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.
There is no singer I can think of who can touch Ella Fitzgerald. And when Billie Holiday sings, she's merciless about it. Her voice has just this immaculate sadness - even in happy songs, there was something that was so broken about it.
Probably to me the greatest singer, female voice, is Billie Holiday. And one of the most moving for me, I don't know why - maybe it's nostalgia, maybe because my life is one of constant partying, whatever.
The best vocalists I can think of are female. There is no singer I can think of who can touch Ella Fitzgerald. And when Billie Holiday sings, she's merciless about it. Her voice has just this immaculate sadness - even in happy songs, there was something that was so broken about it.
The poetry I love is written with someone's voice and I believe its proper culmination is to be read with someone's voice. And the human voice in that sense is not electronically reproduced or amplified.
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