A Quote by Leonard Feather

Bird's mind and fingers work with incredible speed. He can imply four chord changes in a melodic pattern where another musician would have trouble inserting two. — © Leonard Feather
Bird's mind and fingers work with incredible speed. He can imply four chord changes in a melodic pattern where another musician would have trouble inserting two.
When we do reggae, it's normally a one-chord or a two-chord, or whatever it is. With Sting, there'll be chord changes, key changes.
After a while, another voice said: One, two, three, four- And the universe came into being. It was wrong to call it a big bang. That would just be noise, and all that noise could create is more noise and a cosmos full of random particles. Matter exploded into being, apparently as chaos, but in fact as a chord. The ultimate power chord.
Musicals allow a depth of emotion that you don't get in another form of acting, the chord changes, the lyrics really affect people, so that in two hours, you've forgotten about things.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
Recently my fingers have developed a prejudice against comparatives. They all follow this pattern: a squirrel is smaller than a tree; a bird is more musical than a tree. Each of us is the strongest one in his or her own skin. Characteristics should take off their hats to one another, instead of spitting in each other's faces.
If you are having trouble making a chord, get a book, that is how I learned. There are guitar tuning apps so you can tune your guitar, and just learn how to play along with your records. And it's great to be able to play along with another musician. That is like trial by fire.
Bach was so mathematical and I liked this idea that you could have one instrument going, 'One, two, three, four', and then you have another instrument going, [double time] 'One, two, three four', and another instrument going, [doubled again] 'One, two, three, four, one, two, three, four', so you could add twos and fours and eighths, and that happens a lot in Bach.
Yes, basically, like you said, I'll work out a chord pattern and work out the lyrics over that.
As the chord changes go by, I don't so much think about a static chord voicing changing. I just see the notes on the neck change.
Driving that train, high on cocaine Casey Jones you'd better watch your speed Trouble ahead, trouble behind And you know that notion just crossed my mind
Well, I do not mind telling you I have been at work upon this geometry of Four Dimensions for some time. Some of my results are curious. For instance, here is a portrait of a man at eight years old, another atfifteen, another at seventeen, another at twenty-three, and so on. All these are evidently sections, as it were, Three-Dimensional representations of his Four-Dimensioned being, which is a fixed and unalterable thing.
We've got a nation of people who have one eye looking out for the next speed camera, another looking for a speed limit sign and another looking at the speedometer - which is a bit of a shame, when you only have two eyes.
My songs, they have just the one chord, there's none of that fancy stuff you hear now, with lots of chords in one song. If I find another chord I leave it for another song.
When I have my manuscript finished, more or less, I type it myself, with two fingers. I type fast with two fingers. And then when it's ready, I reread, recorrect, and retype it. Everything is my own work. I do not give it to secretaries or to typists.
Buddy Rich was one of the most incredible technicians in the world, on this planet, but the only people he could really impress, who knew what he was doing was another musician or another drummer.
I grew up with siblings, so if I could just snap my fingers and have four [children], I would have four
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