A Quote by Leonard Maltin
I think people in Hollywood are afraid of sentiment because they think audiences will reject it.
Related Quotes
I think audiences crave something new. I don't think audiences want the same old thing, no matter how much conventional Hollywood tells you that.
We keep secrets from people that we love because we're afraid of our own truth. I think sometimes we're afraid to hurt people, because you never know. I think we're afraid of what is, and what can't be.
I think Hollywood, as it's been, will have to change because the model of Hollywood is "we'll make this content, and you guys buy it," but I don't think that's the future.
I think normally people think that they're afraid to die but I actually think people are more afraid to live. People are more afraid to make the choices that they want because they're very hard decisions to make in order to be happy. I think a lot of people are really afraid of that. It's easy to be in a band because you have a lot of things to hide behind so that's really not always living...that doesn't always constitute as living life the way you want. But at times you have to make decisions that sometimes hurt others in order to live.
It's human nature to not say everything that's on your mind at the time you think it. Because we fear saying something that people will laugh at, people will think is dumb. We're afraid of being embarrassed.
People in Hollywood are not showmen, they're maintenance men, pandering to what they think their audiences want.
I think that, a lot of times in Hollywood pictures, the reality, the messy reality of women's lives - it's avoided, because I think people are just afraid of it. There's a standard that women are set to, to try to keep everybody comfortable.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
We think so because all other people think so;
Or because-or because-after all, we do think so;
Or because we were told so, and think we must think so;
Or because we once thought so, and think we still think so;
Or because, having thought so, we think we will think so.
Eartha Mae is very shy. She's scared to be seen, scared of rejection and even afraid of affection. Relationships can be rather uncomfortable for her. But, as Eartha Kitt, it's fine. I can accept and reject any time I want to. Do I ever reject? Not really. Although people think I do!
What happens is people - especially, I think, audiences in the United States - people confront new things a little bit afraid. It's like when you're a kid and your mother puts something on your plate you never ate before. I think that American audiences are very much like that, and when they can accept something new they can accept the next new thing, it's incredible. And what happens is that their expectation of what things should be is elevated, and that's really terrific for us.
If I do something I think is new, it will be misunderstood, but if people like it, I will be disappointed because I haven't pushed them enough. The more people hate it, maybe the newer it is. Because the fundamental human problem is that people are afraid of change.
There are no Hollywood stars speaking out for the elderly. They're forgotten, bewildered, and I don't think it's because people are cruel or don't care. It's because you don't want to think about your own mortality. I think people don't talk about it enough.
It will never be Hollywood, the same way people think it should be. I think it will grow and it will be healthy and it will expand into more than one production house.
People seem to be afraid of science, and certainly, people seem to be afraid of mathematics. And I think that's such a shame, because I don't think it's as hard as people seem to think it is.
Unfortunately, I think I'm going to be typecast in Hollywood as the kid who can cry. I don't like putting audiences through those emotional ups and downs. I don't want people to think Dana Hill is so depressing all she does is cry. But the parts are so good, I can't turn them down.
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