A Quote by Leonard Nimoy

Most of my images have been done in-studio, under very controlled lighting conditions. There have been a few that have been shot in nature, but even then they were shot almost exclusively at night, and again, under controlled lighting conditions.
Most of my images have been done in-studio, under very controlled lighting conditions. There have been a few that have shot in nature, but even then they were shot almost exclusively at night, and again, under controlled lighting conditions.
The Harvard Law of Animal Behavior holds that under controlled experimental conditions of temperature, time, lighting, feeding, and training, the organism will behave as it damn well pleases.
I knew exactly what I wanted out of my actors - the film stars Ranveer Singh and Sonakshi Sinha in lead roles - and how each shot should look. A large part of 'Lootera' has been shot under tough conditions.
There are several studies done of peasant uprisings where the first chapter might be 'conditions in that area' and so the conditions are bad, and then the second chapter is a kind of conjectural event, somebody's shot and then there's an uprising. But there's no consideration, no chapter on preparation.
Once I started working with the Polaroid, I would take a shot and if that shot was good, then I'd move the model and change the lighting or whatever... slowly sneaking up on what I wanted rather than having to predetermine what it was.
I always look for nature or natural lighting within buildings and within rooms that has been done by somebody else to suit their needs. I look at it very closely as a photographic thing, then enhance it.
Sometimes it's a struggle to keep up with my own photos, where the lighting is perfect, the makeup is done, and the images have been retouched. That's not what I see when I look in the mirror!
You look at today, it's a different situation. You have a game that has been transformed into a game where almost every shot is either an outside shot - a three-point shot - or a dunk.
I have been in lots of very intense life situations. I have been shot at, and I have been hungry, and I have been in solitude, and I have also briefly been behind bars. So in a way, I know the heart of men.
Experimental economics is about conducting experiments: bringing economics into the laboratory or creating controlled conditions in the field that allow us to understand better what we are seeing in less controlled circumstances.
Sometimes people decide to write reports even though they haven't been to Guantanamo . And so I would just suggest that people look at some of the work that's been done by people who have been there. But that's not to say that we will not be very glad at the day that conditions permit the closure of Guantanamo and the trying of its inhabitants or for their release.
Confusion conditions activity, which conditions consciousness, which conditions embodied personality, which conditions sensory experiences, which conditions impact, which conditions mood, which conditions craving, which conditions clinging, which conditions becoming, which conditions birth, which conditions aging and death.
It's the first time an exoskeleton has been controlled by brain activity and offered feedback to the patients. Doing a demonstration in a stadium is something very much outside our routine in robotics. It's never been done before.
There's nothing worse than an ostentatious shot. Or some lighting that draws attention to itself, and you might go, 'Oh, wow, that's spectacular.' Or that spectacular shot, a big crane move, or something.
I think people underestimate the importance of lighting - layers of lighting, not just one light. I do a lighting seminar where I take a $300-a-yard fabric and a $3-a-yard fabric. I show what lighting can do to either one.
I've done a few studio films in the last few years where I feel like I've done good work, and then I only end up in two scenes. That's been very disappointing.
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