A Quote by Leonard Nimoy

For me it's all about personal vision; is there something about a subject that uniquely speaks to me. — © Leonard Nimoy
For me it's all about personal vision; is there something about a subject that uniquely speaks to me.
There is something uniquely American about the motel: It speaks to the transient nature of America itself, one enabled and encouraged by our roads and highways.
Definitely, there is a sense in my writing that people now know me in a personal way. And to an extent, that's true because I write about very personal things, and I use the personal often to contextualize some of these sociopolitical issues that we're dealing with. And to an extent, they're right. They know something about me.
Honestly, when someone speaks to me about Juventus I try to change the subject immediately. I'm ashamed of the transfer!
"Simply look with perceptive eyes at the world about you, and trust to your own reactions and convictions. Ask yourself: "Does this subject move me to feel, think and dream? Can I visualize a print - my own personal statement of what I feel and want to convey - from the subject before me?""
For me, it's about the way I carry myself and the way I treat other people. My relationship and how I feel about God and what He does for me, is something deeply personal. It's where I came from, my family, I was brought up in a religious household and that's very important to me.
As a child, I was rather active for my age. Sensing something special about me, my father told me that I had the vision to accomplish great things in life. He always encouraged me to do what I wanted to do - and this has stood me in good stead.
As a youngster when I started writing and stuff, I did actually write more from other people's perspectives. When I hit 18 and something happened to me that hurt me, I discovered that writing the truth is really therapeutic and amazing. Every single one of my songs is about something very personal to me and I could tell anyone what it's about, each song. Like a diary, basically.
I love a vision board. I have one hanging over my desk right now. Because what you see, you become, and it reminds you when you start getting busy in the day, about your vision. I like words more than pictures. I have a card sitting on my desk right now that says, "I only give out that which I wish to receive in return." It's one of Louise Hay's cards. Words remind me more and it gives me something to hold onto when I'm frantic about something else.
If someone stops me in the street, they might not want to say something to my face - maybe something about 'Emmerdale' or something personal towards me, good or bad. But on Twitter they are hiding behind their keyboard.
For me, photography is as much about the way I respond to the subject as it is about the subject itself.
If the picture speaks to me, if it tells me something about myself, then I want it. Then I have to have it.
I guess the subject of race is so natural to me I never think of it as hefty. It's something I talk about and joke about and discuss with my loved ones every day of my life.
What draws me to roles, I think, are moments - moments that define character, where so much more of the story is told in just a moment - a look, a line, a short scene, but something that speaks a volume, something that speaks to me.
After I retire, I have my own vision, which is not connected to the state of Israel. It's about me, living near the sea, and maybe writing something about the past.
The photographer Ruth Bernhard used to tell me that this is like asking somebody how they evolved their signature. It is not something I've ever worked on consciously. I think style is just the end result of personal experience. It would be problematic for me to photograph in another style. I'm drawn to places and subject matter that have personal connections for me and I photograph in a way that seems right. Where does it all come from, who knows?
Everybody has done something about Marco Polo. It's the tiredest, most trite and worked-over subject in the world, and that was why it appealed to me, because I wanted to do something really new and different about something that had been worked over all these centuries, and I think I did.
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