A Quote by Leonard Ravenhill

Let the fires go out in the boiler room of the church and the place will still look smart and clean, but it will be cold. The Prayer Room is the boiler room for its spiritual life.
Writers collect stories of rituals: John Cheever putting on a jacket and tie to go down to the basement, where he kept a desk near the boiler room. Keats buttoning up his clean white shirt to write in, after work.
The room is a special place. It's not "A room" it's THE room. It's a place where there is no restriction. If we title it "a room" it can be any room but it's THE room so it is a special place. We all have this place. It's like our little corner that you are comfortable with.
I remember somebody had said to me "What're you doing with a movie like Boiler Room? It's all men and you're a woman. You should be making romantic comedies," or something like that. Boiler Room, for me, was a morality tale. I remember this interview where they said to me "Yeah, but all the characters are men," and I was like, "But I'm a girl, I like men!" It's not like there's nothing interesting to me just because a lot of characters in that movie happen to be male. Just because I'm a girl doesn't mean I only wanna make Must Love Dogs over and over again.
One of the greatest attacks of the enemy is to make you busy, to make you hurried, to make you noisy, to make you distracted, to fill the people of God and the Church of God with so much noise and activity that there is no room for prayer. There is no room for being alone with God. There is no room for silence. There is no room for meditation.
Truth is beautiful and divine, no matter how humble its origin; it is the same in the musty boiler-room as it is in the glorious stars of heaven.
We went to - I guess it was a legitimate boiler room, and I sat in front of this guy who literally was on the phone with two people at once. They call it double fisting.
I used to do boiler room telemarketing for a living, like hardcore fraud stuff that gets busted on 60 Minutes every week.
My wife Jennifer Todd, who's a producer. She runs Matt Damon and Ben Affleck's company, and she produced Memento, and Boiler Room, and Prime, and Across the Universe... and Alice in Wonderland... She's really smart, and very helpful. That was nice, because I was super neurotic and worried.
There are many nations that have perfected a particular room. You know, you have the French drawing-room, the Austrian ball room, the German dining room, and I think the library is a room the English get right.
It will never be altogether well with us till we convert the universe into a prayer room, and continue in the Spirit as we go from place to place.... The prayer hour is left standing before God till the other hours come and stand beside it; then, if they are found to be a harmonious sisterhood, the prayer is granted.
In a world of fixed future, life is an infinite corridor of rooms, one room lit at each moment, the next room dark but prepared. We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
I'd been told, or warned, that when you paint one room, not only will it look nice, but it will also make the room next to it look as if raccoons have been living in it for the past decade.
If you can't meditate in a boiler room, you can't meditate.
You need to turn your room into a place of power. It's a good idea to have flowers around, candles, incense, you know, happy things. Make your room into a beautiful place and keep it impeccably clean.
Go into a room where the shutters are always shut (in a sick-room or a bed-room there should never be shutters shut), and though the room be uninhabited-though the air has never been polluted by the breathing of human beings, you will observe a close, musty smell of corrupt air-of air unpurified by the effect of the sun's rays.
We should, I believe, beware of the pitfalls described by Taine: 'Imagine a man who sets out on a voyage equipped with a pair of spectacles that magnify things to an extraordinary degree. A hair on his hand, a spot on the tablecloth, the shifting fold of a coat, all will attract his attention; at this rate, he will not go far, he will spend his day taking six steps and will never get out of his room.' We have to get out of this room.
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