A Quote by Leonard Shlain

Surgeons are not technicians; they're not mechanics. They're artists. I see patterns where not many other people see patterns. ...I think that's what made me a good surgeon, and now, that's what's making me a good writer.
There are only patterns. Patterns on top of patterns, patterns that affect other patterns, patterns hidden by patterns, patterns within patterns.
There are only patterns, patterns on top of patterns, patterns that affect other patterns. Patterns hidden by patterns. Patterns within patterns. If you watch close, history does nothing but repeat itself. What we call chaos is just patterns we haven't recognized. What we call random is just patterns we can't decipher. what we can't understand we call nonsense. What we can't read we call gibberish. There is no free will. There are no variables.
I have a pretty good math mind, so I can see patterns, but I don't have a great ear. It's like a tragedy - I can see so much more natural musical ability in so many other people.
Happy, vibrant, successful people think and behave in certain ways. So do miserable and unfulfilled people. In other words, there are patterns of success and patterns of failure. The good news is, success leaves clues.
If you record things, you're going to find, patterns of things, and patterns are important, because you can then see the patterns form before it happens.
There are always patterns in everything, there are patterns in books, there are patterns in human behavior, there are patterns in success, there are patterns for everything in life. You just need to pay attention to them.
It is possible to make buildings by stringing together patterns, in a rather loose way. A building made like this, is an assembly of patterns. It is not dense. It is not profound. But it is also possible to put patterns together in such a way that many patterns overlap in the same physical space: the building is very dense; it has many meanings captured in a small space; and through this density, it becomes profound.
Therefore if mine enemy hunger, let me feed him; if he thirst, let me give him drink. Now in order to do this, (1) We must see good in that, in which other men can see none. (2) We must pass by those injuries that other men would revenge. (3) We must show we have grace, and that we are made to bear what other men are not acquainted with. (4) Many of our graces are kept alive, by those very things that are the death of other men's souls.... The devil, (they say) is good when he is pleased; but Christ and His saints, when displeased.
In short, no pattern is an isolated entity. Each pattern can exist in the world only to the extent that is supported by other patterns: the larger patterns in which it is embedded, the patterns of the same size that surround it, and the smaller patterns which are embedded in it.
We search for patterns, you see, only to find where the patterns break. And it’s there, in that fissure, that we pitch our tents and wait.
Artists can have greater access to reality; they can see patterns and details and connections that other people, distracted by the blur of life, might miss. Just sharing that truth can be a very powerful thing.
People look for patterns in everything. It's what keeps us sane, I suppose. I struggle to see any patterns in my life. I think I can understand depression a bit because of my sister. My own feelings of ... I'm aware that, if you feel down, it can be strangely unrelated to circumstances around you. That's just the way life is.
People look for patterns in everything. It's what keeps us sane, I suppose. I struggle to see any patterns in my life. I think I can understand depression a bit because of my sister. My own feelings of... I'm aware that, if you feel down, it can be strangely unrelated to circumstances around you. That's just the way life is.
I love my parents very much, but people either continue or break the patterns of what their life should be and I just want to completely break whatever patterns would lead me to the same life choices that they made.
Historical costumes from the 18th and 19th centuries look so complicated, but when you see the patterns, it's very systematic. I've always been impressed by how the patterns economize the fabric.
Every place is given its character by certain patterns of events that keep on happening there. These patterns of events are locked in with certain geometric patterns in the space. Indeed, each building and each town is ultimately made out of these patterns in the space, and out of nothing else; they are the atoms and molecules from which a building or a town is made.
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