A Quote by Leonardo Bonucci
These technical flicks and tricks come naturally to me and I don't really think about them. I did a backheel against Udinese and the coach would've strangled me if he could have!
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I always think about the role models I had when I was a little girl. They really made me feel how big I could dream, they made me feel I could do things that I did not think I could do before. And because of them, I went and did what I did and I am where I am now.
Adrian suddenly glanced up at me. Our gazes locked, and I felt like he could read my mind. How often did he think about that kiss? And if he really was crazy about me, did he imagine more than just kissing? Did he fantasize about me? What kinds of things did he think about? His lips on my neck? His hand on my leg? And was that leg bare . . . ?
I did think there were one or two referees who had a personal thing against me. It wasn't them versus Celtic - it was them against me! I just think they wanted to take me on.
I asked a ref if he could give me a technical foul for thinking bad things about him. He said, of course not. I said, well, I think you stink. And he gave me a technical. You can't trust em.
Singing didn't really come naturally to me, I don't think. I had to really work at it. I just kept singing. I never was really worried about it, though, because I was writing songs, and that was the most important thing to me.
Why didn’t you tell me there was danger? Why didn’t you warn me? Ladies know what to guard against, because they read novels that tell them of these tricks; but I never had the chance of discovering in that way; and you did not help me!
You wrote me a beautiful letter, I wonder if you meant it to be as beautiful as it was. I think you did; for somehow I know that your feeling for me, however slight it is, is of the nature of love... When you tell me to come, I will come, by the next train, just as I am. This is not meekness, be assured; I do not come naturally by meekness; know that it is a proud surrender to You.
One thing that I don't think I do is play characters. Once you start claiming that you can do something that you're not, you're crazy. I think scripts can really surprise you. You go, "Wow, I did not know that that response could come from me. I did not know that I had that in me." And so, the process of making the movie is just finding that and digging a little deeper.
In White Boy Shuffle, I combined my seventh-grade teacher, Mr. Takemoto, who really saved me - I don't think I've ever told anyone this - and my first basketball coach, Mr. Shimizu, into one character. Something about the way they talked about things, and their attitudes, had a huge impact on me. Not that I necessarily agreed with them. It was important to me to just put them there to stay grounded.
If a man can coach a female, why can't a female coach a male? When I was looking for a coach, the gender of the coach never occurred to me. It was about who I thought was good and who I could get along with and listen to.
Did you think you could dump me, and I'd bounce back to her and miraculously be happy? I'm not a Ping-Pong ball. You can't just swat me back and forth and expect me to be content wherever I land. If Tod dumped you tomorrow, would you come back to me?
I was in Chicago in 1994 and at this time I had no thoughts of coming back and playing the game of basketball, Bryon Russell came over to me and said, "Why'd you quit? You know I could guard you." When I did come back in 1995 and we played Utah in '96, I'm at the center circle and Bryon Russell is standing next to me. I said, "You remember what you said in 1994 about, 'I think I can guard you, I can shut you down, I would love to play against you?' Well, you're about to get your chance.
I remember when I became an actress and when people would come and ask me if they could take a picture with me, I would say no. Then my mom told me, 'Who do you think you are? You are what you are because of them. The day they will stop coming to you, you will be no one.' I realised I was wrong.
People would really hate playing against me if I could touch them.
Sometimes a little kid will come up to me and ask me to show him some tricks. I always have to say: 'I can't do any tricks.' They want to see some sort of magic: keepie-uppies, around-the-worlds, that sort of thing. It's not really my strength.
The best thing that could've happened to me was that I learned a lot in Vegas, but I didn't know how to implement it. Whenever I came to Texas, all we had was Marc Laimon, jiu-jitsu coach. We didn't have a striking coach. So me and him started to just develop our own game, because he knows nothing about striking. We sat down and we sort of found my style. I think that was the best thing that could've happened to me.
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