A Quote by Leonardo Bonucci
To those who call me a mercenary I say that I also had interest from abroad, where I would have earned more. I have chosen Milan because, in my head, there is the idea of repeating the course I had at Juventus, where we had started rebuilding, as in this case, and we came to the top.
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When I was talking with Shanghai, I was talking to big clubs from Europe, as well. There was Atletico Madrid, who I almost joined. I liked them very much and what they were offering me at the time. There was also Juventus, Inter Milan, and AC Milan. I had some options.
I say this thing about how I've never had to say my head is bloodied but not bowed, like everybody who came before me had to say. And that tells me that I can do a lot more than I think I can.
I always wanted to play for AC Milan or Real Madrid. Real Madrid, of course, because when I was young, the players that played there were the top players. I was looking at Real Madrid as the best of the best. And AC Milan, they also had good players when I was young, so I looked at AC Milan the same way as Real Madrid.
Incompatibilists will tell you that a work of art has no meaning unless the artists could have chosen to create a different one, but actual artists often say things like "the book chose me" - that is, the work had to be. Some philosophers would call it "volitional necessity", and a similar case that's discussed is the case of Luther saying "here I stand, I can do no other".
I had been to São Paulo the year before and became pretty well acquainted with the music of composer Antonio Carlos Jobim, I had already started playing that music, and the audience response had been pretty good because those songs are so melodic. I knew it would be something that would be appealing; I wasn't thinking that it would make the top of the pop charts or anything like that.
I'm more experienced, I've won titles at Juventus. I've been playing with big players like when I started at Man United, of course. I came back. I've not come back from the Academy now; I went to play somewhere else, and I came back, I would say, as a person, as an adult.
There is, of course, only one chosen nation. But Abraham Lincoln would call America 'an almost chosen nation' because he believed that America had a providential role to play in history, inspired by the example of God's ancient covenant people.
I had a total revelation with the feminist moment, with Carolee Scheeman and Marina Abromovic and of course Joan Jonas; that was a big breakthrough with me. And through them, I was introduced to Chris Burden and Bruce Nauman and Vito Acconci. You can almost call it a gang, because the works are always talking together. That stuff had a huge impact on me, but other than that, my interest had always been old paintings.
In the case of my second film The Fish Child (El Niño Pez), I had written the novel about 5 years before I made into a film. In the case of The German Doctor I had published the novel a year before I started writing the script, I even had another project to shoot. But I had this idea of the powerful cinematic language from the novel that I couldn't let go of.
I got a call from the Oprah Winfrey Show. Oprah had chosen Spanx as one of her favorite products in 2000. I had boxes of product in my apartment and I had two weeks notice that she was going to say she loved it on TV and I had no shipping department.
To be honest, I've always had far too much freedom. I had a job when I was 10. I started living on my own when I was 17 or 18. I've earned my own money; I've traveled the world. What would I rebel against? I've had so much freedom, sometimes it was hard. My parents wanted to protect me, but they had no idea how to. I had to learn as I went and make my own mistakes. I went from being totally unknown and never acting professionally to being in a major movie and being very famous. It all happened so quickly, I didn't have any time to work things out. It's been pretty scary at times.
Joe Wright called me and I also had some trepidation along those lines but he said no, it would work. He had a very clear and specific idea of what he wanted to do.
The thing is when I started doing standup, you had to have a clean act because that's how you got on television. There weren't all these cable shows. Also, I didn't want to have that kind of act in case my family came to see me or my kid one day.
When I was pregnant, I had the romantic idea that after the baby was born I would not only take up reading in earnest again, but also write a novel while my daughter slept in her Moses basket. Of course, I barely had time to keep up with my magazines until she started sleeping properly.
While I sat in family court, I probably heard 20 or 25,000 cases. And I am sure, during the course of those cases, there were cases that I probably would've decided differently had I had either more time or been able to explore more. But all you can do as a judge is really give a case your best effort.
A few years ago, I had an interest in making things that felt more like "pieces." That was when I was making a lot of stuff that you could call beats, and it dawned on me that I could say much more nuanced, precise things if I tried to make them more composed. It sounds a bit corny, but I do love the idea that something can make you forget that you're listening and just transport you to somewhere else in your head.
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