A Quote by Leonardo da Vinci
A good painter has two main objects to paint, man and the intention of his soul.
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A good painter has two main objects to paint, man and the intention of his soul. The former is easy, the latter hard as he has to represent it by the attitude and movement of the limbs.
A good painter is to paint two main things, men and the working of man's mind.
The good painter must paint two things: a person and the essence of his soul.
There are all sorts of reasons why I don't do much work in the theatre, the main one being that after two performances I feel I've given all I can. I hate repetition, I really do. It's like asking a painter to paint he same picture every day of his life.
In fact we say that an intention is good, that is, right in itself, but that an action does not bear any good in itself but proceeds from a good intention. Whence when the same thing is done by the same man at different times, by the diversity of his intention, however, his action is now said to be good, now bad.
Paint records the most delicate gesture and the most tense. It tells whether the painter sat or stood or crouched in front of the canvas. Paint is a cast made of the painter's movements, a portrait of the painter's body and thoughts.
It often takes two to do a good painting - one to paint it, and another to rap the painter smartly with a hammer before he or she can ruin it.
Sometimes I seem to be two people. One who does not paint and one who does. The one who does not paint assumes that the one who does can paint anything. The one who is the painter sometimes finds it difficult to live up to that faith.
The disappointed man turns his thoughts toward a state of existence where his wiser desires may be fixed with the certainty of faith; the successful man feels that the objects which he has ardently pursued fail to satisfy the cravings of an immortal spirit; the wicked man turneth away from his wickedness, that he may save his soul alive.
I am just beginning to understand what it is to paint. A painter should have two lives, one in which to learn, and one in which to practice his art.
It is the work of the Canadian artist to paint or play or write in such a way that life will be enlarged for himself and his fellow man. The painter will look around him . . . and finding everything good, will strive to communicate that feeling through a portrayal of the essentials of sunlight, or snow, or tree or tragic cloud, or human face, according to his power and individuality.
The main objects of all science, the freedom and happiness of man. . . . [are] the sole objects of all legitimate government. A plaque with this quotation, with the first phrase omitted, is in the stairwell of the pedestal of the Statue of Liberty.
You can think of a painter as a trio - the artist, his talent and his muse, the last two always on the lookout for a new brush man.
I paint ideas, not things. My intention is less to paint works that are pleasing to the eye than to suggest great thoughts which will speak to the imagination and the heart and will arouse all that is noblest and best in man.
A writer should write with his eyes and a painter paint with his ears.
In here, the human bosom -- mine, yours, everybody's -- there isn't just one soul. There's a lot of souls. But there are two main ones, the real soul and a pretender soul. Now! Every man realizes that he has to love something or somebody. He feels that he must go outward. 'If thou canst not love, what art thou?' Are you with me?
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