A Quote by Leonardo da Vinci

When Fortune comes, seize her in front with a sure hand, because behind she is bald. — © Leonardo da Vinci
When Fortune comes, seize her in front with a sure hand, because behind she is bald.
Who lets slip fortune, her shall never find: Occasion once past by, is bald behind.
I'll walk you back,"he said with such apparently boundless amiability that Diana wanted to deck him. "That isn't necessary," she began as her hand was clasped by his. "I suppose I could walk ten paces behind or ten paces in front." As she let out a frustrated breath, Caine grinned down at her. "You're not angry because we exchanged a friendly kiss? After all, we're family." "There was nothing friendly or familial about it," Diana muttered. "No," he lifted her hand to his lips, then lightly nipped at her knuckle. "Maybe we should try again.
I think that it is true that Eleanor Roosevelt, by being so active on that front, contributed to that impression very substantially. And it's to her credit that she was interested in this, let me say. But once again, I'm not sure the extent to which Roosevelt - I guess he did use her really, particularly on the civil rights front. No question about it, because she was well identified out there, and brought a good many blacks into the Administration, into the White House, into his presence and so on.
call out if you need a hand. if she looks like she's going to have you, i'll sneak up behind her and whach her on the head with a stiff rabbit
Even at the age of eight she would fall asleep by pressing one hand into the other and making believe she was holding the hand of the man whom she loved, the man of her life. So if in her sleep she pressed Tomas hand with such tenacity, we can understand why: she had been training since childhood.
Listen, you. Don't threaten me. I could make your life a nightmare. He put his hand in front of her face and unfolded three fingers as he said, I'm F-B-I. She smiled. It wasn't the reaction he expected. You want to talk nightmares? she said. She put her hand up to his face and unfolded her three fingers. I'm I-R-S.
... until Miri could not help it any longer and she laughed out loud. The sound broke the game. Peder looked at her. He reached out, and she thought he meant to grab her straw or perhaps yank her hair as he used to when they were little. But her put his hand behind her head and, leaning forward, pulled her face to his. He kissed her. One long, slow kiss.
She felt as she often did in class when she was nearly sure she had the right answer, but could not always make herself raise her hand.
Woman - for example, look at her case! She turns tantalizing inviting glances on you. You seize her. No sooner does she feel herself in your grasp than she closes her eyes. It is a sign of her mission, the sign by which she says to man: "Blind yourself, for I am blind."
They were both totally laughing, and he was twirling her, and her hair was flying around like she was in a shampoo commercial. Seriously. She could have sold conditioner to a bald man the way she looked out there.
When she was fifteen if you'd told her that when she was twenty she'd be going to bed with bald-headed men and liking it, she would have thought you very abstract.
But her name was Esmé. She was a girl with long, long, red, red hair. Her mother braided it. The flower shop boy stood behind her and held it in his hand. Her mother cut it off and hung it from a chandelier. She was Queen. Mazishta. Her hair was black and her handmaidens dressed it with pearls and silver pins. Her flesh was golden like the desert. Her flesh was pale like cream. Her eyes were blue. Brown.
Rhoda comes now, having slipped in while we were not looking. She must have made a tortuous course, taking cover now behind a waiter, now behind some ornamental pillar, so as to put off as long as possible the shock of recognition, so as to be secure for one more moment to rock her petals in her basin. We wake her. We torture her. She dreads us, she despises us, yet she comes cringing to our sides because for al our cruelty there is always some name, some face which sheds a radiance, which lights up her pavements and makes it possible for her to replenish her dreams.
When fortune wishes to bring mighty events to a successful conclusion, she selects some man of spirit and ability who knows how to seize the opportunity she offers.
It wasn't that I forgot Hanna. But at a certain point the memory of her stopped accompanying me wherever I went. She stayed behind, the way a city stays behind as a train pulls out of the station. It's there, somewhere behind you, and you could go back and make sure of it. But why should you?
Let us sit and mock the good housewife Fortune from her wheel, that her gifts may henceforth be bestowed equally, I would we could do so for her benefits are mightily misplaced and the bountiful blind girl doth most mistake in her gifts to women. 'Tis true for those that she makes fair she scarce makes honest and those that she makes honest she makes very ill-favouredly. Nay, now thou goest from Fortunes office to Natures. Fortune reigns in gifts of the world, not in the lineaments of Nature.
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