A Quote by Leonardo da Vinci
No one should ever imitate the style of another because, with regard to art, he will be called a nephew and not a child of nature.
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Do not imitate one another's style. If you do, so far as your art is concerned you will be called a grandson, rather than the son of Nature.
One painter ought never to imitate the manner of any other; because in that case he cannot be called the child of nature, but the grandchild. It is always best to have recourse to nature, which is replete with such abundance of objects, than to the productions of other masters, who learnt everything from her.
Of Dickens' style it is impossible to speak in praise. It is jerky, ungrammatical, and created by himself in defiance of rules... No young novelist should ever dare to imitate the style of Dickens.
When you say documentary, you have to have a sophisticated ear to receive that word. It should be documentary style, because documentary is police photography of a scene and a murder ... that's a real document. You see, art is really useless, and a document has use. And therefore, art is never a document, but it can adopt that style. I do it. I'm called a documentary photographer. But that presupposes a quite subtle knowledge of this distinction.
The New York playgoer is a child of nature, and he has an honest and wholesome regard of whatever is atrocious in art.
For me, I like to be different. I didn't want to imitate another wrestler. I always try to find something from other genres, like movies, books, art, and musicals. That's how I made my style.
Whenever reality reinforces a child's fantasied dangers, the child will have more difficulty in overcoming them...So, while parents may not regard a spanking as a physical attack or an assault on a child's body, the child may regard it as such, and experience it as a confirmation of his fears that grown-ups under certain circumstances can really hurt you.
Art does not imitate nature, but founds itself on the study of nature, takes from nature the selections which best accord with its own intention, and then bestows on them that which nature does not possess, viz: The mind and soul of man.
Making a film is like raising a child. You cannot raise a child to be liked by everyone. You raise a child to excel, and you teach the child to be true to his own nature. There will be people who'll dislike your child because he or she is who they are, and there will be people who'll love your child immensely for the very same reason.
My style statement is to be myself! Because if you try to imitate someone else, you will end up feeling uncomfortable.
Thus society is born, as something required by nature, and (because this nature is human nature) as something accomplished through a work of reason and will, and freely consented to. Man is a political animal, which means that the human person craves political life, communal life, not only with regard to the family community, but with regard to the civil community.
A child is an eager observer and is particularly attracted by the actions of the adults and wants to imitate them. In this regard an adult can have a kind of mission. He can be an inspiration for the child's actions, a kind of open book wherein a child can learn how to direct his own movements. But an adult, if he is to afford proper guidance, must always be calm and act slowly so that the child who is watching him can clearly see his actions in all their particulars.
My first nephew, he couldn't say Auntie Nicole, so he called me Coco. So ever since then, everyone's called me 'Coco.'
Making a logging-road in the Maine woods is called "swamping" it, and they who do the work are called "swampers." I now perceivedthe fitness of the term. This was the most perfectly swamped of all the roads I ever saw. Nature must have coöperated with art here.
Shakespeare was not a scholar in the sense we regard the term to-day, yet no man ever lived or probably ever will live that equalled or will equal him in the expression of thought. He simply read the book of nature and interpreted it from the standpoint of his own magnificent genius.
Style is the physiognomy of the mind. It is more infallible than that of the body. To imitate the style of another is said to be wearing a mask. However beautiful it may be, it is through its lifelessness insipid and intolerable, so that even the most ugly living face is more engaging.
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