A Quote by Leonardo da Vinci

Painting embraces and contains within itself all the things which nature produces or which results from the fortuitous actions of men... he is but a poor master who makes only a single figure well.
Painting contains a divine force which not only makes absent men present, as friendship is said to do, but moreover makes the dead seem almost alive.
Truth only is prolific. Error, sterile in itself, produces only by means of the portion of truth which it contains. It may have offspring, but the life which it gives, like that of the hybrid races, cannot be transmitted.
An attitude to life which seeks fulfillment in the single-minded pursuit of wealth - in short, materialism - does not fit into this world, because it contains within itself no limiting principle, while the environment in which it is placed is strictly limited.
Attitude is an important part of the foundation upon which we build a productive life. A good attitude produces good results, a fair attitude poor results, a poor attitude poor results. We each shape our own life, and the shape of it is determined largely by our attitude.
Thus the law of nature stands as an eternal rule to all men, legislators as well as others. The rules that they make for other mens actions, must, as well as their own and other mens actions, be conformable to the law of nature, i.e. to the will of God, of which that is a declaration, and the fundamental law of nature being the preservation of mankind, no human sanction can be good, or valid against it.
When I consider the wonderful activity of the mind, so great a memory of what is past, and such a capacity of penetrating into the future: when I behold such a number of arts and sciences, and such a multitude of discoveries hence arising,--I believe and am firmly persuaded that a nature which contains so many things within itself cannot be mortal.
Painting is an essentially concrete art and can only consist of the representation of real and existing things. It is a completely physical language, the words of which consist of all visible objects. An object which is abstract, not visible, non-existent, is not within the realm of painting.
As there must be moderation in other things, so there must be moderation in self-criticism. Perpetual contemplation of our own actions produces a morbid consciousness, quite unlike that normal consciousness accompanying right actions spontaneously done; and from a state of unstable equilibrium long maintained by effort, there is apt to be a fall towards stable equilibrium, in which the primitive nature reasserts itself. Retrogression rather than progression may hence result.
Evil grows and bears fruit, which is understandable, because it has logic and probability on its side and also, of course, strength. The resistance of tiny kernels of good, to which no one grants the power of causing far-reaching consequences, is entirely mysterious, however. Such seeming nothingness not only lasts but contains within itself enormous energy which is revealed gradually.
Before God, there is neither Greek nor barbarian, neither rich nor poor, and the slave is as good as his master, for by birth all men are free; they are citizens of the universal commonwealth which embraces all the world, brethren of one family, and children of God.
Painting, like poetry, selects in the universe whatever she deems most appropriate to her ends. She assembles in a single fantastic personage, circumstances and features which nature distributes among many individuals. From this combination, ingeniously composed, results that happy imitation by virtue of which the artist earns the title of inventor and not of servile copyist.
Men that are free, well-born, well-bred, and conversant in honest companies, have naturally an instinct and spur that prompteth them unto virtuous actions, and withdraws them from vice, which is called honour. Those same men, when by base subjection and constraint they are brought under and kept down, turn aside from that noble disposition, by which they formerly were inclined to virtue, to shake off and break that bond of servitude, wherein they are so tyrannously enslaved; for it is agreeable with the nature of man to long after things forbidden, and to desire what is denied us.
Painting contains a divine force which... makes the dead seem almost alive.
Only that thing is free which exists by the necessities of its own nature, and is determined in its actions by itself alone.
What makes power hold good, what makes it accepted, is simply the fact that it doesn't only weigh on us as a force that says no, but that it traverses and produces things, it induces pleasure, forms knowledge, produces discourse. It needs to be considered as a productive network which runs through the whole social body, much more than as a negative instance whose function is repression
Painting is the only universal language. All nature is creation's picture book. Painting alone can describe every thing which can be seen, and suggest every emotion which can be felt. Art reaches back into the babyhood of time, and is man's only lasting monument.
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