A Quote by Leonardo da Vinci

Where the spirit does not work with the hand, there is no art. — © Leonardo da Vinci
Where the spirit does not work with the hand, there is no art.
Art does not organize parties, nor is it the servant or colleague of power. Rather, the work of art becomes a political force simply through the faithful representation of the spirit. It is a political act to create an image of the self or of the collective.
I have often said one of the greatest secrets of missionary work is work! If a missionary works, he will get the Spirit; if he gets the Spirit, he will teach by the Spirit; and if he teaches by the Spirit, he will touch the hearts of the people and he will be happy. There will be no homesickness, no worrying about families, for all time and talents and interests are centered on the work of the ministry. Work, work, work-there is no satisfactory substitute, especially in missionary work.
The person who appreciates a great work of art has the feeling that the work grows in him as he becomes involved in a prolonged capturing of emerging marginal meanings. He feels that he, too, is creative, that he himself is adding to his experience and understanding. Moreover, he wants to confront the work of art many times. He is not easily tired of it, as he would be had he read a purely logical statement. He realizes that the work of art does not merely transmit information; it produces pleasure.
The historical importance of a composer does not always go hand in hand with the quality of their work.
There's a definite connection in terms of objects at hand - dealing with objects or material at hand. Pop art was very much enamored with popular imagery, and popular imagery was of course available and at hand. And land art was also using what was at hand.
The art is more important than the artist. The work is more important than the person who does it. You must be prepared to sacrifice all the you could possibly have, be, or do; you must be willing to go all the way for your art. If it is a question between choosing between your life and a work of art -- any work of art -- your decision is made for you.
There are so many things in the world - in the cities - so much to see. Does art need to represent this variety and contribute to its proliferation? Can art be that free? The difficulties begin when you understand what it is that the soul will not permit the hand to make.
You are being suffocated by tradition... Why don't you say, 'I am going to build a life for myself, for my time, and make it a work of art'? Your life isn't a work of art ---it's a thirdhand Victorian whatnot shelf, complete with someone else's collection of seashells and hand-carved elephants.
I don't have to work on it. I'm naturally a writer. The rapping and writing, they can go hand-in-hand - but rapping is an art that you have to practice and master, so I worked at it for a long time.
What is essential in a work of art is that it should rise far above the realm of personal life and speak to the spirit and heart of the poet as man to the spirit and heart of mankind.
Art can no longer be art today if it does not reach into the heart of our present culture and work transformatively within it that is, an art which cannot mould society — and through this naturally operate upon the core questions of our society — is not art.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
The Holy Spirit as the Spirit of Power helpeth our infirmity in prayer. The Holy Spirit as the Spirit of Life ends our deadness in prayer. The Holy Spirit as the Spirit of Wisdom delivers us from ignorance in this holy art ofprayer. The Holy Spirit as the Spirit of Fire delivers us from coldness in prayer. The Holy Spirit as the Spirit of Might comes to our aid in our weakness as we pray.
Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
The heaviest impact of the work of art is in the guts. Art does not reason. It manhandles you and changes you.
I don't claim anything of the work. It is his work. I am like a little pencil in his hand. That is all. He does the thinking. He does the writing. The pencil has nothing to do with it.
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