A Quote by Leonardo DiCaprio
I'm not a big dreamer. I never have been. I remember fragments of my dream, and I try to take a traditional sort of approach to researching this project and doing preparation for it.
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Who is the ultimate dreamer? Call it as you will: God, higher consciousness, Krishna, spirit, whatever pleases you. .. One dream, one dreamer, billions of embodied characters acting out that one dream. .. Your true essence is that you are part and parcel of the one big dream.
I move from dreamer to dreamer, from dream to dream, hunting for what I need. Slipping and sliding and flickering through the dreams; and the dreamer will wake, and wonder why this dream seemed different, wonder how real their lives can truly be.
I'm a big dreamer. You might as well go to the top. You want to dream big, you dream big.
I'm not a big dreamer. I never have been.The only thing I've sort of obviously extracted from the research of dreams is that I don't think there's a specific science you can put on dream psychology. I think that it's up to, obviously, the individual. Obviously, we suppress things, emotions, things during the day - thoughts that we obviously haven't thought through enough, and in that state of sleep when our subconscious or mind just sort of randomly fires off different surreal story structures, and when we wake up we should pay attention to these things.
Everybody knows how fallible memory can sometimes be. You remember certain fragments precisely, but as soon as you try to join the fragments together, for a story, there is a certain - not falsification, but a shifting.
There are a lot of actors who are doing dream work where they focus on a role and try to bring it into their dreams. I haven't done that work, but I've always found that when I'm studying for a role, the work I'm doing somehow manages to enter my dreams, no matter what approach I take.
I'm a really hectic dreamer; I never wake up not out of a dream, and there's loads going on, lots of action, big blockbuster dreams, they're all major enterprises.
I'm a really hectic dreamer, I never wake up not out of a dream and there's loads going on, lots of action, big blockbuster dreams, they're all major enterprises.
When I said yes to doing 'Queen's Gambit,' I was feeling burned out on directing and movie-wise wasn't sure what my next big project was going to be. So I said yes to doing this very different type of project that required a different skill set from me, sort of just to shake things up, if anything.
I think male authors who want to try to tackle these issues of representation of women can generally do a better job if they try to question traditional notions of masculinity and the sort of toxic nature of traditional ways of presenting masculinity.
Preparation is such a big thing and you should never take that for granted.
Our problem was that in the American approach to Soviet affairs policy has oscillated between people who take an essentially psychological approach and people who take an essentially theological approach, and the two really meet. The psychologists try to "understand" the Soviet Union. And try to ease its alleged fears. The theologians say the Soviets are evil.
Not much happens without a dream. And for something great to happen, there must be a great dream. Behind every great achievement is a dreamer of great dreams. Much more than a dreamer is required to bring it to reality; but the dream must be there first.
My mom is a painter, so I've been doing drawings and paintings as early as I can remember. Then there was this gap where I was doing graffiti in high school and making as much [traditional] art.
I believe your best preparation is to just get your rest and just go out there and continue to do what you've been doing, not to try to do anything uncharacteristic that you haven't been doing. That's my main thing.
My approach is not a scientific approach. For that, we have greater minds than mine. My approach is: I am in the possession of a text, it has survived so many centuries, and it is my task, my pleasure, to try to decipher it and find all the things that have been said about these few words by generations and generations of commentators. That is what I'm doing. I don't innovate anything. I'm just repeating.
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