A Quote by Leonardo DiCaprio
Like everything, personal relationships and all that stuff is sort of put on ice while you go off to your location for five or six months. So, do I feel more settled in my life and in my work? Absolutely, yeah.
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The good thing about being an actress is that it's very children-friendly. I can work for three months and then I can have six months off. And then I can work for six months and have six months off.
There are certain things you can say off the ice, but I think it's mostly on the ice. There are certain situations where you feel like the team may need a big play, something like that, where you feel like it's your responsibility to step up and you do that, but I definitely do that more on the ice than off.
I prefer shooting on location, just because it always helps you. You go some place, you put your life on hold even more than when you've settled in some place. You can make a new life so it opens yourself up to the make-believe and the imagination in a way when you aren't burdened by things that remind you of your life all the time.
When do we put on the lingerie? Always at the beginning of the relationship - first couple of months, strutting around the bedroom wearing a teddy. Yeah, six months later, you've stopped shaving your legs and you look like a teddy.
I feel like a lot of people are very career-driven and there's pressure to be successful. You put off relationships. You put off those intimate relationships because you're just work-driven. It's a very sweet term, undateable.
Did you know that the average American spends six months of his or her life waiting for red lights to turn green? Six months wasted, waiting for permission to move on. Think of all the other stuff you could do with that time.” I was totally confused. “In the car?” “In your life,” he said.
I had a stormy graduate career, where every week we would have a shouting match. I kept doing deals where I would say, 'Okay, let me do neural nets for another six months, and I will prove to you they work.' At the end of the six months, I would say, 'Yeah, but I am almost there. Give me another six months.'
Yeah, it's odd when you look back at your own work. Some filmmakers don't look back at their work at all. I look at my work a lot, actually. I feel like I learned something while looking at stuff I've done in terms of what I'm going to do in the future, mistakes I've made and things at work or what have you.
A lot of the off-ice is actually spent sort of as a recovery process. Because the closer we get to a competition, the more and more you do on-ice. So if you're already on the ice three to four hours, you get enough cardio doing your run-throughs. But I sometimes do the elliptical or bike.
I almost feel like sometimes when I'm on location, you miss your home and your family and all that stuff, but it keeps you focused on the work.
There are times as an actor when you don't work for two months, sometimes three or sometimes six, and the only thing that's going to keep you sane is if you give back and live your life. I've definitely gone through that. It's like, 'Okay, I'm out of work for two months.' That's two months I can paint.
My view of actors is that basically they're all harmless lunatics who'd be on the psychiatrist's couch, except that we get this sort of catharsis every six months or so, and we go and be absolutely someone else.
I do a variety of activities like Pilates, bike riding, physical therapy, and running. I also train on the ice five to six days a week. On the ice, I work on my programs as a whole and the individual technical elements that comprise the programs.
When I made the decision to go to Europe, a lot of people questioned it. The first six months I was there even I was questioning it, but I think I learned a lot more about myself in that six months than I have my whole life.
Now the truth is, writing is a great way to deal with a lot of difficult emotional issues. It can be very therapeutic, but that's best done in your journal, or on your blog if you're an exhibitionist. Trying to put a bunch of *specific* stuff from your personal life into your story usually just isn't appropriate unless you're writing a memoir or a personal essay or something of the sort.
There's an 'Everything must go!' emotional liquidation feel to the end of your twenties, isn't there? What will happen if we turn thirty and we're not 'ready?' You don't feel entirely settled in any aspect of your life, even if you are on paper.
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