A Quote by Leonardo DiCaprio
I think actors make the mistake of finding their little niche in the business and once they try to do something a little darker, boom, they get slapped across the face for it, so they go back to what they did before.
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All my movies, as I get the ability to do it, they tend to go a little darker, a little darker.
One thing that I don't think I do is play characters. Once you start claiming that you can do something that you're not, you're crazy. I think scripts can really surprise you. You go, "Wow, I did not know that that response could come from me. I did not know that I had that in me." And so, the process of making the movie is just finding that and digging a little deeper.
I think the Australian men and American men are quite different. I feel like Australian men might be a little bit more laid back and a little bit cool whereas American guys are sort of 'boom, boom, boom.
I try to get that across in the work, to try to, if I'm lucky, to make this world a little bit better for all of us before I check out. And that's if I'm lucky, I don't always get to have that privilege but I try always.
And she didn't once say anything about this being a sin. It used to be I got the word sin slapped in my face every time I did something wrong, but come on, when you live in a sin-free family with sin-free parents and a sin-free sister, well, you can't help but sin a little extra on their behalf.
I actually have a little routine I do before every shoot. I put a face mask on before bed and make sure I go to sleep early. Then, I get up early and make myself breakfast and get in a workout.
I've never felt my gender was an obstacle. There have of course been moments in my career when it has slapped me in the face but the reason I felt it slapped me in the face was because it wasn't something that I had contemplated before.
You have to make mistakes to get better. I used to make a mistake, and I kind of get down on myself. And now I make a mistake, and I go, 'Okay, did you learn from this? Did you stick to the facts, and did you stick with the logic? Did you have the analytics?'
A wise man once asked me, "What is the sound of one hand clapping?" I thought for a minute, then I slapped him across the face. That got him off my back.
It's going back to old school, the way it was done and I'm finding out there is something different, a little interesting. There is something just a little fresh about it because I haven't seen it done like that in a little while. I'm embracing it, you know.
When Satan cannot get a great sin in he will let a little one in, like the thief who goes and finds shutters all coated with iron and bolted inside. At last he sees a little window in a chamber. He cannot get in, so he puts a little boy in, that he may go round and open the back door. So the devil has always his little sins to carry about with him to go and open back doors for him, and we let one in and say, 'O, it is only a little one.' Yes, but how that little one becomes the ruin of the entire man!
We try to make each situation specific to the person. At the beginning of the season, we come up with, like, 50 to 100 ideas, which we workshop and then we call around to see who is interested in doing something like that. Once we find the people, we make the bid specific to them. A lot of it is about where you can get people to go physically, which is a little tricky because most actors and musicians are kind of hermits-they like to stay in their houses.
Rex Tillerson is 's in the business of exploring and finding oil across the globe. You have to go where the oil is at, and the fact that he actually has a relationship with people like Vladimir Putin and others across the globe is something that shouldn't be - we shouldn't be embarrassed by it, it's something that I think could be a huge advantage to the United States.
People sometimes get a little extra criticism when they try something that they don’t normally do, but I think that’s just a natural thing for artists. It’s like, "Okay, I did that, and now I want to try this."
People sometimes get a little extra criticism when they try something that they don't normally do, but I think that's just a natural thing for artists. It's like, 'Okay, I did that, and now I want to try this.'
With every project I've ever done, I've always treated it like I'm still in school. Each time you try to go a little further, get a little deeper, feel a little more, sculpt it a little better.
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