A Quote by Leonardo DiCaprio

We were both [ with Russel Crowe] hand-plucked to do [The Quick and the Death]. He had done Romper Stomper and I had done Gilbert Grape and so we were hand- plucked to do this big budget film. So we were both very bright-eyed and bushy-tailed.
[Russel Crowe] has been through a lot and had a lot of success. No one knew who he was when I worked with him 12 years ago. He's just come off a great film in Australia- Romper Stomper - and so it was good to see him again. Obviously, I'd seen him since.
For a long time, no village girl would dress her hair or bosom with the sweetest flower from that field of death: and after many a year had come and gone, the berries growing there, were still believed to leave too deep a stain upon the hand that plucked them.
There was nobody in the family who had ever done anything like that before. My brothers - I had two brothers. They were twins. They both became architects. They were both six years older.
We were both very much the same. We were both very impulsive. We both loved life. We both loved shopping. We both had a love of clothes, obviously, because he was the designer that I kind of wore forever and ever.
My parents were very well read. They were both New Englanders, not highly educated, but they had a sophisticated... they were both very humanistic, and they were sophisticated readers.
Lincoln and Clinton had a lot in common in the way they were elected: In both cases, they were dark horses. In both cases, they were from small states. In both cases, they were not the favorite for their parties' nomination.
For the kind of thing that we were showing, the budget was sufficient. As we were speaking of in Haiti, we had not done that before in exactly this form and we had to have costumes for it.
On the one hand, we had great filmic spectacles that brought in big audiences, adults as well as primary and secondary school students. On the other hand, there were attempts to create contemporary Polish film.
We, America, elected Trump. Putin didn't do it, nor the trolls in St. Petersburg with their zillions of busy bots. They may well have plucked certain strings in the national psyche - played us like a dimestore ukulele - but we were keen to be plucked.
My parents, they were both Socialists; they were young - 30, 31. They were both successful career people. They had been teachers, and my dad spoke English.
Corin Nemec, who was on television for years, has been through a similar thing. We both had TV shows, we've had to hit that audition trail, and we were both frustrated. We were both going through divorces, and we decided to write about this stuff. And make it funny.
There were two different expectations in this land of the future. On the one hand the the optimistic belief in an unending progress with millenarianistic overtones and on the other hand the doomsday expectation of the final battle of Armageddon. Both are perspectives are uniquely American and both are inter-related.
My parents were both very musically inclined, they were both songwriters and musicians, so we grew up in the house singing music together, and R&B had a huge strong arm in the foundation of my career.
If the business were a play, Act One is, 'Woohoo, bright and bushy-tailed. We're going to make something great!' Act Two is, 'We're six months behind on back-end development.'
They were now both ready, not to begin from scratch, but to continue with a love that had survived for thirteen years in hibernation. They were no longer travellers without baggage. They were no longer twenty. They'd both been around the block a bit and had suffered without the other. They'd both lost their way without the other. Each had tried to find love with other people. But all that was now finished.
I think what shaped me was I had two parents who were scientists, and especially, they were great readers. They had both grown up in sort of rural parts of the South and were oddballs where they grew up. They were budding intellectuals.
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